SOUND ON SOUND
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Daft Punk spent four years and over a million dollars on their quest to revisit the golden age of record production. Mick Guzauski and Peter Franco were with them all the way.
Doctor Who's 2005 revival saw the TV programme and its incidental music triumphantly reinvented. Gone are the Radiophonic textures of old, replaced by a confident orchestral score that stands comparison with Hollywood's best. Composer Murray Gold talks technical at his home studio.
With the powerful automation available in modern DAWs, it is easy to overlook their side-chaining features. But what value does this technique have in the modern project studio?
While mastering in a home or project studio is unlikely to produce the very best results, Cubase SX does have some basic tools for those who want (or have) to adopt a DIY approach.
Martin Russ brings you the latest Apple news and views. First off the press is the low-down on Apple's new System 7.5...
Drum replacement is now a routine production job in genres ranging from pop and indie to high-tempo metal, and even live sound.
There are many choices to make when equalising within your sequencer. Which type of EQ is best? How should you set up the different bands? Which controls do you need? We provide some answers...
The fall of the Iron Curtain revealed a surprise for Western musicians: a flourishing Soviet synthesizer industry. Its flagship instrument was crude, cheaply made, horrible to play — and sounded like nothing else...
During the October 2003 AES Convention in New York, the SOS team managed to make it to Amityville to help reader (and SOS Forum regular) Glenn Bucci with his recorded guitar and bass sounds.
Of all the factors that go into a great recorded guitar sound, the loudspeaker is the least well understood — but the right speaker can make all the difference.
Filters are at the heart of many of the weirder sequencer plug-ins, so here we check out what each one has to offer, and how you can obtain weird and wonderful sounds for your mixes.
Why is phase important? What orchestral sample libraries are available for HALion? Where can I get Windows-based ASIO drivers for an Audiomedia III card? Are there really reverb and synth plug-ins supplied with Mac OS X? How can I isolate the vocals from a stereo mix?
Can you tell me something about a vintage mic I've found? Why don't my synths' sounds work well together in mix? How do contact microphones work? Is there a combined soft sampler and sequencer on the market? Which soundcard should I upgrade to?
What do you add to the DAW that has everything? In the case of Samplitude 10, a complex new mastering compressor and some excellent automation features are among the highlights.
The SU700, Yamaha's entry into the 'groove sampler' stakes, is derived from their A3000 studio sampler and inherits some of its sibling's most impressive features — including adventurous effects and imaginative sample-manipulation facilities — while adding quite a few tricks of its own. Derek Johnson and Debbie Poyser go loopy.
Newcastle-based engineer Dave Maughan, like many SOS readers, runs a small commercial studio based in his own house — where he recorded one of the year's most acclaimed albums. Sam Inglis hears his story.
We've had a good look at some of the tools available for mastering in Pro Tools. So what are the best ways to use these tools?
With impressive new automation features and free mixer routing, have Steinberg taken their flagship audio application to the top of the class?
As well as the standard complement of equalisers, reverbs and delay-based effects, sequencers these days are bundled with an ever-increasing array of plug-ins designed to alter your sound in new and interesting ways. We explain how to use these effects in the forms in which they're bundled with the Big Five sequencers.