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Bruno Mars is the year’s hottest pop star, and one‑third of ace production team the Smeezingtons. Fellow Smeezington Ari Levine reveals how they created his hit album in a modest LA studio.
Can a product be expensive and still represent great value for money? When it comes to the ultimate in guitar-amp and speaker modelling, the answer would appear to be yes...
Engineer and producer Bruce Botnick recorded some of the greatest artifacts of West Coast psychedelia, among them the first five albums by The Doors. Here he describes the making of their influential second album and its title track, which saw them develop their live sound through radical experimentation in the studio.
Thunderous reverbs, haunting vocals and Mellotron galore: we tell the story of recording the Moody Blues symphonic rock masterpiece, Nights In White Satin.
The latest crop of dance-specific sound modules are a bad thing, both for pop in general and dance music in particular, says SOS Contributor and self-confessed 'cynical old hippy' Norman Fay.
If you think Korg have been neglecting their Prophecy monosynth in favour of the numerous Trinity add-ons they're producing, think again. Gordon Reid heralds the arrival of two new Prophecy patch banks.
There are lots of reasons to teach yourself the art of dub mixing. It's fun, it's creative, it puts your engineering skills centre stage — and it might even make you some money!
Phil Thornalley learned his trade as a rock engineer and producer in the 80s. Then he co-wrote a little-known song called Torn...
Cubase 6 pushes the boundaries of expressive sequencing, while adding polish and new editing functionality to keep existing users happy. Is it all too good to be true?
When less-than-satisfactory service from a music store begins to border on the distinctly dodgy, Judy Lemon asks: how do they think they can get away with it?
This month we sort out timing issues for a band called Exhibit-1, replace missing snare beats, as well as improving the rest of the mix.
Walter Taieb enjoyed worldwide success as a dance producer, before reinventing himself as a classical composer. Working with violin prodigy Vanessa-Mae tested both his orchestration skills and his music technology expertise.
Akai and Ableton have collaborated on the APC40, to bring tightly integrated, hands-on hardware control to Live.
Three decades after they disappeared into obscurity, the cult of Big Star continues to grow. John Fry was the engineer and studio owner at Ardent, who oversaw the recording of their now-classic albums #1 Record and Radio City.
We cross-examine James Wiltshire of the Freemasons to uncover the secrets of their phenomenal success as a production and remix team.
The Foo Fighters could have gone to any studio on the planet to record their eagerly awaited album Wasting Light. They chose their frontman Dave Grohl’s garage...
Creating a digitally modelled piano is a fantastically difficult thing to do, but that hasnt deterred Roland... Introducing the V-Piano — the worlds first hardware modelling piano.
For his latest solo project, innovative DJ and producer Howie B set himself a difficult challenge: to create live, improvisational dance music with a minimal setup.