SOUND ON SOUND
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Engineer and producer Dani Castelar accompanied Paolo Nutini through three years and 11 studios to make his acclaimed new album Caustic Love.
As producer, engineer and mixer, Andy Wallace has done more than anyone to define the sound of modern rock and metal.
With thumbprint data security and track counts in the thousands, the scoring process for sci‑fi movie Divergent was close to science fiction itself!
Two massive hit albums in a year was a pretty good return on 20 days' work for Justin Timberlake, producer Timbaland — and engineer Chris Godbey.
Jamie Cullum's sixth studio album, Momentum, sees the British pianist and singer further expanding his stylistic palette.
Nearly 30 years after they burst onto the scene, Bon Jovi continue to top charts worldwide.
The film of Led Zeppelin’s reunion concert was five years in the making — yet Alan Moulder had only three weeks to mix the entire soundtrack!
The multitracks for Evanescence’s third album were so big that they required two maxed-out Pro Tools rigs to play back!
Feeling that something was missing from their latest album, the Beastie Boys decided it needed remixing — by a “crazy Frenchman”...
Phil Collins began recreating the classic Motown sound as a form of therapy. With the help of engineer Yvan Bing, the results gave Collins his first number one album in 17 years.
Producer and songwriter Fraser T Smith has made the unlikely journey from prog rock to grime. With Tinchy Stryder, his broad experience has paid off in the shape of three massive hit singles.
How do you capture the essence of pure rock & roll? For Mike Fraser and AC/DC, the answer was simple: get the sound right at source, track to analogue tape, and don't mess about with the results!
For the recording of their fourth album Only By The Night, Kings Of Leon and co-producer Jacquire King decided to aim high. The result: a worldwide smash and a long-awaited breakthrough in the band's native US.
OneRepublic's route to the top has been tortuous, and their massive hit 'Stop & Stare' was actually recorded more than three years ago. Engineer and mixer Joe Zook recalls the sessions.
We go behind the scenes at the home of the Pod and Variax to get the latest on developments in the world of guitar modelling technology.
Martin Russ brings you the latest news direct from an Apple R&D gathering, and takes a set of Allen keys to some expensive digital audio hardware.
Working on Trippie Redd’s mixtape A Love Letter To You 5 at Miami’s Criteria Studios gave mixer Koen Heldens the rare chance to mix a rap album to half‑inch tape.
Timofey Reznikov made a name for himself recreating tracks by famous producers. Now, he mixes their tracks!
Working on tape with the Red Hot Chili Peppers forced Ryan Hewitt to revisit old‑school mixing skills — and find ways to adapt modern techniques to the analogue domain.
With six lead singers, an orchestra and more, ‘We Don’t Talk About Bruno’ from Encanto was always going to be an epic production challenge — and then lockdown happened.