SOUND ON SOUND
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Rather appropriately, we round off this series by looking at what you need to consider when composing music designed to play while the end credits roll...
Arif Mardin has engineered and produced an incredible array of classic records from artists such as Aretha Franklin, Dusty Springfield, Diana Ross, the Bee Gees and Barbra Streisand — yet the runaway success of his recent work with Norah Jones threatens to overshadow even these achievements.
In 1996, the Fugees came like a breath of fresh air into a world of hip-hop that was becoming stale around the edges. Now Wyclef Jean is a star in his own right, and has deployed his production talents for artists ranging from urban legends like Funkmaster Flex and Cypress Hill to Whitney Houston, Michael Jackson and even Tom Jones.
With Portishead's much acclaimed Gold selling debut album, Dummy, riding high in the charts, the West Country finally have an act to make a song and dance about. Jonathan Miller gets the low down on fame, fortune and M16 from co-producer and band member Adrian Utley, a man of many talents.
In music-for-picture work, there's never enough time to do what you'd ideally like to. We look at what it's like producing music under pressure.
There are many factors that can cause your PC to struggle when playing back your songs — including RAM, your hard drive, your CPU and your system settings. But how do you know which is to blame, and do you have to upgrade or can you work around the problem?
We explore some of the most common causes of mix failure we’ve tackled in our monthly Mix Rescue column. Banish these demons and you’re most of the way to a devilishly good mix! Here are ten reasons why your mixes don’t work — and what you can do about it!
There's some amazing music being made in bedrooms these days. And bringing it to the wider public is the job of the Tigerbeat6 label, whose stars include label founder Kid 606 and Rjyan Kidwell, aka Cex.
They say that good things come in small packages — but just how much synthesizer can Korg cram into the tiny Micro X?
The SOS team drops in on another reader's studio.
In 1983, New Order sold over three million copies of their 12-inch single 'Blue Monday' and it has remained a classic. SOS spoke to producer, musician and New Order fan Roger Lyons, to find out how he helped the band bring the track back to life.
Recording a passable acoustic guitar sound is fairly easy, but how do you get a great sound? We tried and tested tips and techniques from the worlds most celebrated producers and engineers to show you how...
Veteran guitarist Carlos Santana's 1999 comeback album Supernatural has been a sales phenomenon in the US album charts. Richard Buskin spoke to engineer Glenn Kolotkin, whose association with Santana goes back to his classic albums of the '70s.
Punk, bass player, pioneer, mystic... Paul Tingen meets a musician who lives life at breakneck speed, and isn't afraid of the dark.
With their Vocal Bundle, Waves look to take voice processing and automatic pitch correction to a new level of sophistication.
It's over 40 years since its inception, but the Mellotron has proved to be surprisingly enduring. We meet the men who resurrected the original sampler and review the most technologically sophisticated Mellotron ever, the brand-new M4000.
For their fifth album, The END, Black Eyed Peas main man will.i.am took the band — and their long-serving mixer Dylan Dresdow — in a new direction, with stunning success.
Business End enables you to have your demo reviewed by a panel of producers, songwriters, musicians and managers. This month's industry panel is drawn from the MPG (Music Producer's Guild).
The subject of clocking in digital audio systems is often a hazy area of understanding among us users, perhaps because we've been turned off by propellerheads who love arguing about it. Here's what you need to know in Pro Tools from a practical angle.