
Graham Fellows (aka John Shuttleworth)
Comic actor, has been recording and editing his own radio series for years — and now he's putting his engineering skills centre stage.
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Comic actor, has been recording and editing his own radio series for years — and now he's putting his engineering skills centre stage.
Even if you have top-notch recording gear, and the expertise to use it effectively, there are still a number of more intangible problems that the recording musician can face. Amanda Lowe answers some of your questions on how to maintain creativity and a positive attitude in the studio.
Anyone in any doubt as to the popularity of Depeche Mode should see this man's studio. Alan Wilder, formerly the programming powerhouse of the group, and now striking out on his own, has poured the profits of his years with the Mode into this astonishing home setup. Here he talks about the studio, his new album, and his days with Depeche.
The XV88 is the first of Roland's new XV range of synths to sport a keyboard, and also adds all manner of real-time control facilities. Gordon Reid checks it out with two of the new SRX-format sound expansion boards.
The Ultranova may be a return to Novation's roots, but it's still a very forward-looking synthesizer...
With Portishead's much acclaimed Gold selling debut album, Dummy, riding high in the charts, the West Country finally have an act to make a song and dance about. Jonathan Miller gets the low down on fame, fortune and M16 from co-producer and band member Adrian Utley, a man of many talents.
Rather appropriately, we round off this series by looking at what you need to consider when composing music designed to play while the end credits roll...
If you put together a classical musician turned mic manufacturer, and analogue audio legend Mr Rupert Neve, youd expect the outcome to be something rather special — and it is.
Arif Mardin has engineered and produced an incredible array of classic records from artists such as Aretha Franklin, Dusty Springfield, Diana Ross, the Bee Gees and Barbra Streisand — yet the runaway success of his recent work with Norah Jones threatens to overshadow even these achievements.
In 1996, the Fugees came like a breath of fresh air into a world of hip-hop that was becoming stale around the edges. Now Wyclef Jean is a star in his own right, and has deployed his production talents for artists ranging from urban legends like Funkmaster Flex and Cypress Hill to Whitney Houston, Michael Jackson and even Tom Jones.
In music-for-picture work, there's never enough time to do what you'd ideally like to. We look at what it's like producing music under pressure.
There are many factors that can cause your PC to struggle when playing back your songs — including RAM, your hard drive, your CPU and your system settings. But how do you know which is to blame, and do you have to upgrade or can you work around the problem?
There's some amazing music being made in bedrooms these days. And bringing it to the wider public is the job of the Tigerbeat6 label, whose stars include label founder Kid 606 and Rjyan Kidwell, aka Cex.
The SOS team drops in on another reader's studio.
Punk, bass player, pioneer, mystic... Paul Tingen meets a musician who lives life at breakneck speed, and isn't afraid of the dark.
In 1983, New Order sold over three million copies of their 12-inch single 'Blue Monday' and it has remained a classic. SOS spoke to producer, musician and New Order fan Roger Lyons, to find out how he helped the band bring the track back to life.
Veteran guitarist Carlos Santana's 1999 comeback album Supernatural has been a sales phenomenon in the US album charts. Richard Buskin spoke to engineer Glenn Kolotkin, whose association with Santana goes back to his classic albums of the '70s.
We explore some of the most common causes of mix failure we’ve tackled in our monthly Mix Rescue column. Banish these demons and you’re most of the way to a devilishly good mix! Here are ten reasons why your mixes don’t work — and what you can do about it!
They say that good things come in small packages — but just how much synthesizer can Korg cram into the tiny Micro X?