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Not content with acting as a high-spec control surface and Firewire audio interface for your studio computer, this new high resolution console seems determined to outshine it with its slick touchscreen graphical interface and onboard VST plug-in hosting.
In another exciting installment of our studio 'makeover' series, the team rotate Bella Saer's entire setup through 90 degrees in search of a more effective working environment.
We begin this regular column on using Ableton Live by examining how you can increase your productivity whilst using the program as a writing tool.
When it's time to choose a sampler from the many on the market, it helps to know which features are most significant. Craig Anderton will tel you what you want, what you really really want...
A classic orchestral library makes a comeback in a streamlined new format.
USB and Firewire mixerfaces abound these days, but not all allow you to record multiple channels simultaneously to separate tracks in your DAW. Enter the M164UF...
The original DriveRack PA was already a cost‑effective processor, and now Dbx have upgraded it, with more features and wireless iOS control.
Computer-literate musicians are well placed to take advantage of multimedia technology. You know all about the sound — now what about the visuals? Panicos Georghiades and Gabriel Jacobs give an introduction to desktop video on the PC.
The System 1 is a fully fledged synthesizer in its own right, but it can also assume the identity of Roland classics using its built–in ‘plug–out’ technology.
PreSonus’ new StudioLive PA range brings serious onboard processing and remote DSP control to the masses.
The iLok dongle is more important to Pro Tools users than ever. So should existing users make the move to the new version, and how do new users get started?
This Voice Modeler plug-in is designed to change the character of a recorded vocal, adding breathiness, chest resonance and 'growl', and allowing you to modify inflection and vibrato.
Novation's Nio offers a slightly unusual perspective and a generous collection of effects and processors, but does it have what it takes to stand out from the audio interface crowd?
From simple beginnings as an offshoot of an electronics project, RME have established themselves as well-respected soundcard and recording interface manufacturers whose products usually offer that bit more than those of their competitors. We talk to their head of development about their recent innovations.
Martin Russ takes a look at the changing face of technology during the first decade of SOS.
Paul White looks beneath the surface of Sound Diver 3 to discover an immensely powerful and flexible patch editor and librarian system.
The SampleCell II PC card can turn your humble PC into a fully-featured, 32-voice sample replay unit with eight individual outputs. Brian Heywood investigates.