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The Turbosound Milan Mi0 enters a competitive market. Can this little newcomer stand out from the crowd?
Working with super–producer Jacquire King was a dream come true for James Bay. In a unique interview, King explains how he oversaw the recording of Bay’s hit debut album.
We've been running a small amount of live sound gear coverage in the mag for a few months now. On the whole, it has been very well received...
Akai’s Advance 49 is a tightly integrated controller/software package designed to bridge the gap between musician and computer.
French speaker makers Focal continue their campaign of innovation, with this classy new three–way monitor design.
Grace have long been associated with sublime studio preamps — and now you can take that superlative sound with you on stage.
Lewitt have made some fine impressions in the studio world with their innovative mic designs. Can they do the same for the stage?
PJ Harvey’s long-term co-producer John Parish is uncompromising in his willingness to experiment — even with the world watching!
Abbey Road Studio’s revered RS124 tube compressor has never been made available commercially... until now.
Newcomers Cymatic look set to revolutionise the world of live recording and playback with this remarkably affordable new device.
If you fancy learning more about how synths work — and obtaining a cheap Moog into the bargain — the Werkstatt ø1 could be just the thing.
Every dog, so the saying goes, has its day. It's also true for keyboards. We all know apocryphal stories of Mellotrons that...
Microsoft’s latest OS offers potential benefits for musicians and recording engineers — but is now the right time to move to Windows 10?
Prism Sound’s Lyra brings the quality of their Orpheus and Titan interfaces within reach of lesser mortals.
Build complex patches in Logic with MIDI plug-ins and Track Stacks.