SOUND ON SOUND
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Delay, originally called echo, is one of the oldest artificial effects, yet it can still be one of the most impressive — if used with care. Paul White explains the potential problems and how to avoid them.
To be successful in the music business today, you need to be flexible and multi-skilled — but not many people take these qualities as far as Damien Egan...
Analogue modular synths in the late '90s are something like the old bus joke — none for ages, then loads all at once. Chris Carter catches the latest arrival.
The spread of the ADAT 8-channel optical digital interface to studio equipment of all kinds has raised the prospect of a revolution in multitrack digital recording. Self-confessed digital evangelist (amd Korg UK product specialist) Paul Wiffen explains how the optical digital interface and several fibreglass cables made keyboard session player Wix Wickens' life easier at last year's prestigious Songs and Visions concert at Wembley.
In the first of a 2-Part series, Paul Farrer offers some hints and tips for improving the sounds you can coax from Emu's popular Proteus range.
If you're looking for 8-track hard disk recording in a hardware unit that behaves just like a tape recorder, but with all the benefits of digital recording, you owe it to yourself to check out the Vestax HDRV8. Paul Wiffen reminds you that you should never judge a book by its title.
Mali Music is one of the most ambitious collaborations yet between European and African musicians. The brainchild of Blur frontman Damon Albarn, it also represented the first big break for producer Simon Burwell.
What if you could access the sound and controllability of a range of the best-known classic analogue compressors and EQs, from a single rackmount box, in the digital domain? Two advanced processors from Sintefex aim to offer just this ability.
Access's strangely-named Virus is another digital synth emulating the analogues of yesteryear — but this one might be the best of the bunch so far. Paul Nagle brings you a sneak preview of the first Virus to hit the UK.
Over the last 30 years Tony Platt has engineered and produced albums by some of the biggest names in music, from rock to reggae. Tom Flint talked to him about his days at the pioneering Island Studios, his work with the legendary producer Mutt Lange and his vision of the future.
Combining strings, a monosynth, a bass synth and a polyphonic synthesizer, did ARP create the keyboard equivalent of 'Wash and Go', or a jack of all trades and master of none?
Clavia's little red devil bought its Swedish creators a fair measure of fame and fortune on its release almost two years ago. But times have changed, and the Nord 2 now has many more competitors in the virtual analogue stakes. Paul Nagle leads from the front.
TC Works transfer more of their expertise to DirectX PC software with a set of interfaces that let you squash, tone up, and space out your audio with a mouse. Martin Walker gets clicking.
Armed with a bunch of Alesis technical papers, Paul White unravels the mysteries of those inscrutable error messages, the sevret button combinations and the finer points of ADAT tape care.
The SOS team rushes to the rescue of a reader in Somerset suffering from boxy vocals, a weedy mix, and a dodgy tweeter.
Greg Ladanyi showed up at the right time in rock history to chair sessions for Jackson Browne, Don Henley, Warren Zevon, Toto, Fleetwood Mac and the Jacksons — but while 50 percent of life may be simply showing up, the other half requires a lot of hard work.
For the newcomer, mixing a multitrack recording can seem overwhelmingly complicated. The key is never to lose sight of the basic principles...
Fifteen years ago, the idea that writing music for computer games could put you in the freame for a major Hollywood film-scoring job would have seemed laughable. But it's exactly what has happened to Nathan McCree and Matt Kemp. Paul White travelled to their Oxfordshire studio to unearth more...
The newest member of Digitech's Vocalist family of intelligent pitch-shifters boasts some slimmed-down features from previous models and a 'hands-on' user interface. Paul Farrer warms up with some scales, adjusts his bow tie and takes this powerful module right through the standing ovation and bouquets
The creative force in the modern pop music business seems, increasingly, to reside with songwriter/producers like Gary Miller, who specialise in getting the best out of artists in collaboration.