SOUND ON SOUND
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It’s not the cheapest PC around and it’s not the most powerful, but this machine might just help you make better recordings.
The Analog Rytm combines analogue drum synthesis with sample playback. Is it the ultimate beatbox?
My singing voice is a bit nasal, and I'd like to know if there is a 'classic' frequency or frequency range to apply some parametric EQ cut to?
Rolls cram a very useful nine stereo line channels and a mono mic channel into a 1U box that's targeting keyboard players.
When is a reverb not a reverb? When it's a filter, of course! There's more to convolution than meets the ear, and creative processing of impulse responses can yield extraordinary results.
Anything you record into a computer takes time to reappear at your speakers. We show you ways to tackle these delays.
When Peter Gabriel made the transition from prog to pop with 'Sledgehammer' he did it on his own exacting terms...
The StudioLive range of mixer interfaces now includes a compact 16-channel model.We find out how well it performs on the road.
Recording engineers are finding it tough to get jobs. But have they really tried all the options out there?
If you’re choosing a new audio interface or a new computer, what are the pros and cons of the many different connection protocols that are on offer?
Auto-Tune is said to be the biggest-selling plug-in of all time. How does the new version shape up against the competition?
In this month's Session Notes column, we focus on a recent overdubbing session, which demonstrated the benefits of the multi-miking approach particularly well.
Nearfield monitors are usually a compromise — but not in the case of these impressive three-ways from Barefoot Sound.
Can energy-efficient, environmentally friendly monitors really offer professional quality? Genelec certainly think so...
We go old-school in this month's Studio SOS, as we visit a hardware-only studio and help John Cowburn to inject a Motown vibe into his mixes.
Garritan’s latest library raises the bar for virtual piano instruments.
The challenge: to remix 10 Depeche Mode albums in surround — while recreating the signature sounds created by the band and some of the worlds greatest producers. As Mute Records Head Engineer Kevin Paul explains, it was never going to be easy!
This month, more on DP plug-ins with side-chains, plus tips on improving audio timing, using Mix mode, and news of a compact USB hardware controller for use with DP.
Malcolm Toft’s latest brainchild enables you to turn your 500-series racks and modules into a fully modular analogue console.