SOUND ON SOUND
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This classy piece of kit boasts the quality and flexibility of high-end algorithmic reverbs, but can also deliver convolution-like realism.
One of the most famous record labels of all time, Motown fostered a group of uniquely talented writers, engineers and musicians who often had to invent the equipment and techniques they used to keep their music at the cutting edge. Lamont Dozier explains how it was done...
The Matrix K is a low-cost, no-frills computer audio interface designed to do its job simply and efficiently.
Designers overcame most inherent problems with digital audio long ago, but for many of us, the experience still isn't perfect. This in-depth guide tells you why — and what you need to know to put things right...
Here are links to the audio files fromFebruary 2008's DIGITAL AUDIO article, for those readers who buy the magazine from the newsagent and don't wish to type in all the long URLs to access the accompanying audio files.
Everyone performs better when they can hear exactly what they need in their headphones. After our guide to simple DP monitor mixing options last month, we follow up with ideas for those with more complex monitoring requirements.
The reputation of Sequential Circuits is up there with the likes of Moog and ARP, but is the first Prophet in 20 years a worthy addition to that heritage or a cash-in on former glories?
This Mac/Windows plug-in can produce a range of very believable feedback effects.
The unrivalled status of producer Timbaland is built on a hand-picked team of engineers, mixers and producers. For the mix of his hit single 'The Way I Are', he turned to Marcella Araica.
Tidy up your studio and it may just make you rethink your gear priorities.
Realising that some potential users were daunted by the highly customisable nature of their innovative Lemur screen-based controller, Jazzmutant have added a second controller to their range — and this one specifically supports a range of popular DAWs.
To celebrate the 30th anniversary of his hugely influential hit album Oxygene, Jean Michel Jarre has produced an audacious DVD performance of the entire piece in a manner never before attempted.
The hyperactive developers at Ableton have been at it again. Live 7 gains an ingenious new way of working with drums, and an optional library packed with new instruments.
If you want to create a surround soundtrack for your DVD while avoiding the limitations of Dolby AC3 audio, DTSs clever High Resolution format has a lot to offer.
Convolution is the technology du jour for creating convincing reverbs, and if you're a Logic Studio bundle owner, you already have a utility that will let you get into it yourself, by creating custom impulse responses for the Space Designer plug-in.
Convolution technology has provided new levels of realism for plug-in reverb, but has been unable to capture non-linear or time-variant effects such as compression, tape saturation, distortion and flanging. Until now, that is...
It's a tall order this month, as we're asked to remix a reader's recording to sound like a big-budget Bond theme!
Here are links to the audio files from FEBRUARY 2008's MIX RESCUE article.
More readers tracks undergo the editorial staff treatment! Sponsored by www.breed-media.co.uk