SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
To mark 35 years in the business of audio design, Oram have launched a special limited edition 'Hi‑Def' equaliser. Hugh Robjohns tries out this attractively priced derivative of the famed HDEQ2.
TC Electronic have upgraded their already impressive Finalizer mastering processor to include a number of new features, most notably 96kHz capability. Hugh Robjohns finds out if it's still at the top of the tree.
Hugh Robjohns tries out a new stereo valve compressor hand-built in Britain, which shines both in the studio and the mastering room.
The technical standards of any professional, semi-pro, or hobbyist recording studio rely on accurate calibration. Hugh Robjohns tries out Terrasonde's funky DSP-based handheld audio test and measurement set.
This unique hybrid eight-bus mixing desk brings a welcome alternative to the established options.
TC Electronic have an enviable reputation for their high-quality digital effects processors, and have now launched the first of a new line of budget-conscious units. Hugh Robjohns checks out the M One.
What do you suggest would be the best set of mics for recording a wind band? The mics available are two unidirectional...
Millennia Music and Media Systems manufacture high-end signal processors with the usual feature of dual circuit paths — solid-state FET and valve topologies running separately, side by side. Hugh Robjohns checks out the company's opto-compressor.
