SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
I recently acquired a Blue Rocket Stage 2 with cardioid B8 capsule, and although I really like the sound it seems a bit ‘stiff’ — in the same way that a speaker can sound ‘stiff’ until it’s been ‘burned in’. Do mic capsules ‘relax’ over time or will that stiffness persist?
When misfortune befell one of our contributors, we sent the SOS team to help him get his studio back up and running.
The EQ4M features the same Air Band that put Mäag on the EQ map — plus a whole lot more!
For anyone with an interest in the early years of electronic music, Ian Helliwell’s new book (published by Sound On Sound) takes the reader on an enthralling tour of the pioneering British contributors to this genre...
The classic sound of the ADR Compex is back again — this time in API Lunchbox format!
We fire up the latest model in Unity Audio’s geologically themed monitor range to find out just how much it rocks!
I recorded a choir with an ORTF pair and a 40cm-spaced omni pair on a bar, and later viewed these recordings on the Voxengo Span plug-in’s correlation meter. I have read the Span manual but remain confused about what this meter is telling me...
These new TAC modules bring the classic Amek console sound to your Lunchbox rack.
Audient’s flagship mixer is treated to a Heritage Edition makeover and several useful new features.
Do monitors now deserve a place alongside chocolate, watches and army knives on Switzerland’s list of exemplary exports? We think so!