Erica’s Perkons HD‑01 is one of the most inventive drum machines of recent years, and the Perkons Voice is a single Perkons’ synth voice in Eurorack form.
Refreshingly shrewd and not a little iconoclastic, Ross Fish founded Møffenzeef Mødular with all the creativity and risk you might expect, given the modules in the Møffenzeef range.
New polyphonic Eurorack modules & Buchla 200 Series
Tiptop Audio have been working on a whole host of new modules for their polyphonic Eurorack system, as well as some additions to their growing collection of Buchla 200 Series recreations.
Just ahead of Superbooth 2025, AJH Synth announced the launch of the Matrix VCF, a new Eurorack filter module that offers an impressive 16 filter types. We stopped by at the show to take a look.
Kobula's new Monumatic module comes equipped with 16 selectable oscillator modes, with its collection of virtual-analogue algorithms covering a wealth of classic and modern sounds.
Synthesist and producer Julien Guillot started his project Stazma the Junglechrist back in 2008, in his words at “the super violent and punk end” of the breakcore scene, before breaking out into more experimental territory.
Paul Wiffen takes a trip down memory lane to look at Behringer’s remake of the Wasp from Electronic Dream Plant, his first employer in the synthesizer industry back in 1981. How does it compare to Chris Huggett’s original innovative design?
Performance-focused module houses four independent delays
Described as a performance-oriented digital delay station, the Samarkanda packs in four independent delay channels along with some resampling and looping capabilities.
The S.B.G-PRO is capable of operating in mono or stereo, supports balanced and unbalanced equipment, and also allows for CV-based control of external devices.
New from Patching Panda are a pair of 10HP percussion modules, each offering a wide range of traditional sounds, but with some serious experimental potential as well.
Atop his role as one half of the wildly off‑kilter Unicorn Ship Explosion, Sasha Lewis has honed his craft working with the likes of Four Tet and Jon Hopkins, and has provided sound design for numerous film companies.
The ADDAC300 Rev.02 provides users with a way to intentionally ‘starve’ their other modules of power, leading to unconventional effects and “unruly sonic behaviour”.