Synthesizers

Martinic revisit the Prodigy with a software version of this Moog classic.

True additive synthesizers are few and far between. And additive synthesizers with an accessible interface are almost non‑existent. Almost...

Drum Farm is a two‑, three‑ or sometimes four‑channel source of percussion sounds...

This month’s guest is 4MS founder Dan Green, who started off his career creating guitar pedals while still at school.

It’s a classic of the modern era, and that’s why we thought it was worth revisiting here to mark the 10 year anniversary.

The new version of Scaler Music’s Carbon Electra soft synth incorporates intelligent tools from their Scaler 3 software.

The Orchid is designed to be an inspiration machine, putting complex chords at your fingertips while looking right at home on the flight deck of your retro‑futuristic spaceship.

Once seen as only a nuisance, noise can in fact be a useful creative tool in the studio.

Driven by curiosity, Mark Fell’s unique approach to technology has shaped a long and adventurous career in electronic music.

Still a relatively new face on the Eurorack scene, Petr Horáček, from Brno in the Czech Republic, is fast making a name for himself under the Zlosynth banner.

RANDOM8 is much more than just eight channels of S&H — it can provide modulation and melodies for your whole system...

Sanger’s unique approach to electronic music has rightfully earned him plaudits across the globe, performing in venues from churches and art galleries to Berlin’s iconic Berghain club.

Not just for synthesis, Eurorack can be a versatile addition to the traditional recording setup. We look at what modular can offer and how to use it in the studio.

Bob Coover and Anthony Marinelli join Julian Rodgers to explore the history, evolution and creative potential of wavetable synthesis

Hot on the heels of version 6, Pigments 7 brings workflow improvements, increased efficiency and some really rather special new effects.