Sound Modules

This is Not Rocket Science (TiNRS) thought it might be nice to create a space, within space, where cosmic entities exist as the elements of a deep galactic reverb.

From Omnitone of Canada, we have a pair of colourful rhythm‑makers that can operate separately, or as a percussive pair.

Edd Butterworth and Jean‑Marcel Fricke are the joint helmsmen of the recently opened SchneidersKeller (an offshoot of Berlin’s venerable SchneidersLaden) situated on London's famous Denmark Street.

GS Music have packed seven voices of analogue polyphony into a box that’s as well made as it is small and blue.

ADDAC511 is a four‑channel distributor of all manner of unpredictability, no matter the scope of your stochastic ambitions.

UDO’s ribbon controller puts Super Gemini‑style expression at your fingertips.

The third wave of the 3rd Wave reduces both size and price, but retains the sound that made us love it in the first place.

Erica have teamed up with software developers 112dB to create a genuinely original synthesizer.

The Itinera module is a Eurorack filter developed by Stefano Bersanetti at Euterpe Synthesizer Laboratories.

The Monumatic is Knobula’s third polyphonic sound generator. It picks up the form and much of the intention of their first outing, but includes expansions and more features.

The Archaea Exchange falls into what is possibly the author's favourite category of modules: essentially very simple but with massive scope.

The Lublin 1957 from XAOC Devices is a two‑channel pingable VCA module with three ping responses and a gain limiting circuit to prevent peaking or distortion.

One of the central figures behind XAOC Devices' success is Maciek Bartkowiak, a veritable heavyweight in electronic instrument design and a charming fellow to boot.

The unsettlingly named Seventh Summoner is a really simple sequencer, and as with the Arp Of Darkness, it does just enough to make itself fabulously useful.