Kobula's new Monumatic module comes equipped with 16 selectable oscillator modes, with its collection of virtual-analogue algorithms covering a wealth of classic and modern sounds.
Synthesist and producer Julien Guillot started his project Stazma the Junglechrist back in 2008, in his words at “the super violent and punk end” of the breakcore scene, before breaking out into more experimental territory.
Paul Wiffen takes a trip down memory lane to look at Behringer’s remake of the Wasp from Electronic Dream Plant, his first employer in the synthesizer industry back in 1981. How does it compare to Chris Huggett’s original innovative design?
Performance-focused module houses four independent delays
Described as a performance-oriented digital delay station, the Samarkanda packs in four independent delay channels along with some resampling and looping capabilities.
The S.B.G-PRO is capable of operating in mono or stereo, supports balanced and unbalanced equipment, and also allows for CV-based control of external devices.
New from Patching Panda are a pair of 10HP percussion modules, each offering a wide range of traditional sounds, but with some serious experimental potential as well.
Atop his role as one half of the wildly off‑kilter Unicorn Ship Explosion, Sasha Lewis has honed his craft working with the likes of Four Tet and Jon Hopkins, and has provided sound design for numerous film companies.
The ADDAC300 Rev.02 provides users with a way to intentionally ‘starve’ their other modules of power, leading to unconventional effects and “unruly sonic behaviour”.
Offers polyphonic tracking with standard guitar pickups
The new Enzo X greatly expands on its predecessor, the Enzo, combining five different synth modes with a collection of onboard reverb, delay and modulation effects.
Modulation tool boasts ultra-wide peak-to-peak I/O range
Make Noise's latest Eurorack module takes a single control signal and creates eight duplicates, providing users with control over their relative speed and phase relationships.