The unsettlingly named Seventh Summoner is a really simple sequencer, and as with the Arp Of Darkness, it does just enough to make itself fabulously useful.
Sonicware's latest LIVEN synth has been built around a new Acoustronic Flux Oscillator engine that creates sounds using a blend of acoustic and electronic sources.
ALM/Busy Circuits have just announced the launch of two new Eurorack modules, the Pip Filter and Pip LFO, both of which pack a comprehensive selection of features into just 4HP.
12-input spectral mixing output module for Eurorack
Italian Eurorack manufacturer Clatters Machines have announced the release of Sonora, a 6HP stereo output module designed to act as a final mixing stage for modular synthesizer systems.
The latest addition to the Rides In The Storm line-up is a pre-patched synth voice that packs in a pair of VCOs and three sub-VCOs, a wavefolder, a ring modulator, two ASDR sections, a pair of LFOs, a VCF and a VCA.
Erica’s Perkons HD‑01 is one of the most inventive drum machines of recent years, and the Perkons Voice is a single Perkons’ synth voice in Eurorack form.
Refreshingly shrewd and not a little iconoclastic, Ross Fish founded Møffenzeef Mødular with all the creativity and risk you might expect, given the modules in the Møffenzeef range.
New polyphonic Eurorack modules & Buchla 200 Series
Tiptop Audio have been working on a whole host of new modules for their polyphonic Eurorack system, as well as some additions to their growing collection of Buchla 200 Series recreations.
Just ahead of Superbooth 2025, AJH Synth announced the launch of the Matrix VCF, a new Eurorack filter module that offers an impressive 16 filter types. We stopped by at the show to take a look.
Kobula's new Monumatic module comes equipped with 16 selectable oscillator modes, with its collection of virtual-analogue algorithms covering a wealth of classic and modern sounds.
Synthesist and producer Julien Guillot started his project Stazma the Junglechrist back in 2008, in his words at “the super violent and punk end” of the breakcore scene, before breaking out into more experimental territory.
Paul Wiffen takes a trip down memory lane to look at Behringer’s remake of the Wasp from Electronic Dream Plant, his first employer in the synthesizer industry back in 1981. How does it compare to Chris Huggett’s original innovative design?