SOUND ON SOUND
The Gates Sta-Level broadcast compressor is a classic — but it isn’t cheap. Can Wes Audio give you the same sound for less?
In a market that seems, er, saturated with dedicated distortion processors, what sets Overstayer’s latest device apart from the rest?
Swiss acoustic-amplification experts Schertler have entered the compact PA market, with impressive results.
Mastering engineers looking for a compressor with a distinctly vintage flavour would do well to check out Roger Foote’s latest creation.
Foote’s latest design could be that rare thing: a mastering-grade compressor for the masses.
Could the Two Notes Reload be the last word in studio guitar amplification?
Combine the Artist 20’s smooth tremolo with an independent variable 0-10 dB clean gain boost, and what do you get? An effects pedal with attitude!
The K-Mix squeezes a mixer, an audio interface and a MIDI controller into one very tactile box.
Can a tiny box like this really deliver the classic vari-mu sound for so little money?
Eighteen years after the launch of their ground-breaking POD, Line 6’s new flagship amp-modeller looks brimful of promise.