SOUND ON SOUND
Billed as both a bonkers sound mangler and a subtle mastering device, can this little grey box really deliver on both counts?
Trident’s celebrated EQ is now available as a 500-series module, and what better to house it in than the company’s very own chassis?
With dual compressor stages and dual-band, boost-only EQ, the novel Magnum-K shows that high-end outboard needn’t be retro.
Mackie’s HR824 set a benchmark for project studio monitoring when it was first released two decades ago — and now the concept has been made even more accessible.
HEDD may be a new venture, but the man behind it is no neophyte — as the company’s debut design proves!
Insanely tweakable, and promising the ability to mimic your own amp, could this be the last word in amp modelling?
With eight new Air preamps and two-way ADAT connectivity, could this be the best way to expand your audio interface?
Can this California company’s first summing mixer reach the high standards set by their outboard processors?
The Gates Sta-Level broadcast compressor is a classic — but it isn’t cheap. Can Wes Audio give you the same sound for less?
API’s 512 preamp design is a classic — and now there are even more reasons to love it!