link Focusrite Clarett OctoPre Eight-channel Mic Preamp & A-D/D-A Converter With eight new Air preamps and two-way ADAT connectivity, could this be the best way to expand your audio interface? Published February 2017 Reviews
link A-Designs Mix Factory Analogue Summing Mixer Can this California company’s first summing mixer reach the high standards set by their outboard processors? Published January 2017 Reviews
link API 512v Mic Preamp Microphone Preamplifier API’s 512 preamp design is a classic — and now there are even more reasons to love it! Published December 2016 Reviews
link Audient iD4 USB Audio Interface Audient’s compact iD4 interface offers a lot of bang for pleasingly little buck. Published December 2016 Reviews
link Wes Audio Timbre Vari-Mu Compressor The Gates Sta-Level broadcast compressor is a classic — but it isn’t cheap. Can Wes Audio give you the same sound for less? Published December 2016 Reviews
link Overstayer MAS 8101 Stereo Analogue Distortion Processor In a market that seems, er, saturated with dedicated distortion processors, what sets Overstayer’s latest device apart from the rest? Published November 2016 Reviews
link Foote Control Systems P4S ME Mastering Compressor Mastering engineers looking for a compressor with a distinctly vintage flavour would do well to check out Roger Foote’s latest creation. Published October 2016 Reviews
link Schertler Tim & Tom Active PA Systems Swiss acoustic-amplification experts Schertler have entered the compact PA market, with impressive results. Published October 2016 Reviews
link Foote Control Systems P3EX Stereo Compressor Foote’s latest design could be that rare thing: a mastering-grade compressor for the masses. Published September 2016 Reviews
link Two Notes Torpedo Reload DI, Re-amp, Attenuator & Power Soak Could the Two Notes Reload be the last word in studio guitar amplification? Published September 2016 Reviews