SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
A mastering engineer told me that, when playing back source files from his laptop into a high-quality USB-connected D-A, the...
Polish speaker company Sveda might be new kids on the block, but their Dapo monitors can hang tough with the established competition.
A-T have used their innovative rectangular diaphragm concept to come up with this new instrument mic. Read our exclusive review!
Yamaha no longer make their Subkick drum mic, so I was thinking of making my own from an old loudspeaker. Does it have to be...
Team SOS travel to Sheffield, to help one man in his quest to realise his lofty studio ambitions.
I work in a facility where AES3 110Ω cables have been used to connect some splitter outputs to mic preamps. What kind of influence, if any, can this ‘impedance mismatching’ have on the signal quality?
The Dangerous world of dynamics processing promises plenty of pleasant surprises.
Recording on location presents many challenges: this book will help you meet them.