SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
I work in a facility where AES3 110Ω cables have been used to connect some splitter outputs to mic preamps. What kind of influence, if any, can this ‘impedance mismatching’ have on the signal quality?
The Dangerous world of dynamics processing promises plenty of pleasant surprises.
Recording on location presents many challenges: this book will help you meet them.
An oft–overlooked advantage of analogue working methods is sensible metering. MeterPlugs’ K–Meter brings the same approach to your DAW.
Classic, yet unashamedly modern, Neve's latest analogue console promises seamless integration with the software studio.
I have a Focusrite Trackmaster mic preamp, and I'd like to know if it will work properly with my Shure SM7B dynamic mic?
In their ongoing quest for authentic vintage tones, US mic makers Peluso tackle the classic Neumann M49.
I know it changes settings according to the source material, but how does the 'automatic recovery' function on a compressor work.
What secrets have Elysia hidden inside this modest‑looking rackmount case?
Prism Sound's latest interface looks set to dwarf even their legendary Orpheus...