SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
This desk combines three 4U‑high equipment bays at the back of the desk, with a deep monitor surface above, and a sturdy keyboard shelf below, capable of carrying an 88‑note master keyboard.
Mutec manufacture high‑performance master clocks, and digital-format and sample‑rate converters. Everything is well designed,...
If you're serious about recording and mixing you need to set a consistent reference level to which you can always return. Our seven‑step guide explains how to do it.
Do these hand‑made, single‑driver speakers sound as good as they look?
Managing mains power distribution in a project studio can be frustrating. Simple plug-boards are cheap and easy, but professional rackmounted mains distribution units (MDUs) allow neat centralised cabling.
Peluso's enviable reputation for building 'homages' to vintage mics looks set to continue with this tribute to Neumann's classic KM84.
Very few monitor controllers deliver all the functions our Technical Editor deems essential. This one does — and at an attractive price, too.
The eagerly anticipated flagship in PMC's new TwoTwo range is finally here. Has the wait been worthwhile?
I keep reading in your mic reviews about the sound being more natural when hitting a mic on-axis. Does this mean that there’s a risk of coloration with the ORTF technique right in the centre of the stereo image?
We check out Gem Audio's classy and charismatic interpretation of the recording channel strip.