SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
I understand that data-compressing audio files is really just chopping out frequencies we think we don't need, but I don't understand what encoders do to go the other way.
ADK's take on the classic Neumann M49 may lack the original's valve circuitry, but the desirable vintage character is all there.
Much of the enjoyment and realism (or hyper-realism) of films, TV shows, radio programmes and computer games relies upon the skilful use of Foley.
Audient have updated their popular eight-channel preamp design to provide more features at a lower price.
I've been searching to find a sensible answer to this question to no avail...
If you need serious bass, and you've got the control room to handle it, Eve's flagship monitors might be just the ticket.
An innovative new plug‑in makes it easy to tell when louder isn't better!
Yellowtec make lots of equipment for the broadcast market, but their latest interfaces could be just the ticket for music production.
If you're shelling out serious money for a monitor controller, you expect perfection — is that what the M905 offers?
I still buy vinyl records simply because I like listening to them, but I'm under no illusion that vinyl is a 'perfect' format...