SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
This new master clock generator from Mutec can transmit a bewildering array of clock signals at many different rates simultaneously. Does your studio need one?
How much difference is there between the quality of a VST reverb plug-in and a hardware reverb processor such as the...
I have recently been asked by a well-known broadcasting organist to undertake a recording of a Wurlitzer pipe organ in an auditorium...
This new set of high-resolution drum mics is also versatile enough for many general recording tasks.
I'm about to move house and set up a studio in the spare bedroom with all my stuff, and I'm just interested in what the best use of power points is.
I recently purchased a second-hand Tandberg reel-to-reel tape machine and I'm having difficulties connecting it to my external hi-fi...
I've just bought my first mic, a Rode NT1A, which requires phantom power, and I'm wondering if there's anything wrong with leaving it plugged in with phantom power switched on for long periods of time?
As we all acquire more and more digital audio equipment, clock distribution becomes more of a key issue. This new distribution amplifier not only delivers multiple word-clock outputs, but also offers real-time monitoring of the accuracy of the source clock signal.
Two classic designs — the 610 preamp and LA2A compressor — are combined for the first time in this attractive new reissue.
A range of impressive sonic claims are made for this unusual clamp design, but the physics behind it remains unclear (to me, at least).