Technically speaking, working with a single-track recording may not be 'mixing', but a surprising amount of useful mixing‑style finessing can still be performed.
This month, as well as revealing a few unusual tricks, our mix engineer demonstrates how to achieve power and clarity by focusing on the contrast between the sounds of different instruments.
This month, our mix engineer develops a reader's track and shows that the difference between an average mix and a good one is less about the quality of the gear than about what you do with it!