Apple's loop-sequencing application has grown up, with the addition of sophisticated recording, editing and mixing facilities, a powerful waveform editor, and many of Logic's most sought-after effects.
Sony have opened their Sound Forge editing software up to new horizons with support for VST plug-ins and the ASIO driver protocol, and improved its usability with batch processing and a new scrubbing tool.
The latest version of Steinberg's popular editing program now includes support for multi-channel audio, including the ability to create your own DVD-Audio discs.
If you are an avid slicer of beats, then Zero-X's latest offering might just appeal. With its support for multitrack slicing and quantizing, is Beat Quantizer the best thing since sliced bread?
It's been a long wait, but the original slice-and-dice loop editing program has finally made it to Mac OS X. Is it still an essential tool a decade after its original launch?
Version 2 of Celemony's revolutionary pitch- and tempo-shifting software includes new features, better sequencer integration and an improved interface.
It's been some time since Sonic Foundry's powerful and easy-to-use CD-burning application was updated, but this version 5 promises wider compatibility and many new features.
Users of Propellerhead's Recycle could be forgiven for thinking that sample slicing couldn't get much easier, but Bitshift Audio's pHATmatik Pro aims to prove them wrong by offering an unprecedented level of integration with MIDI + Audio sequencers.
As an all-round package for multitrack audio editing, mastering and CD burning, Steinberg's Wavelab leads the field. Does the new version 4 keep it ahead of the competition?
Sonic Foundry were the pioneers of loop-based PC sequencing with the initial release of Acid. More than three years on it's more popular than ever, and the latest version includes MIDI and video support among other new features.
In the final part of his series on digital editing, Paul White examines some methods of removing clicks from a recording, before looking at how to burn a production master CD.
After last month's overview of the equipment and processes involved in compiling an album master from mixes, Paul White gets down to the business of sorting out wanted audio from unwanted...
In the first part of a new series, Paul White looks at the practicalities of stereo editing. So, if you plan on compiling your stereo mixes into an album master, you'd better read on.