The concept of the portable laptop-based studio is enticing, but you still need a musical input device — hence the current popularity of compact MIDI keyboards. And although it's not the cheapest, Novation's Remote 25 has much to offer...
Moving-fader controllers for computer-based studios are big news at present, and Radikal's SAC 2.2 can be used with a wide range of software sequencers and instruments. Jack of all trades, or master of none? We find out...
The latest in Roland's line of MC-series workstations is their best (and most expensive) yet, incorporating synthesis, sequencing, real-time control, and sampling. But in an increasingly software-driven world, can a Groovebox still cut it?
Kenton's latest take on their affordable hardware control surface concept eschews the faders of previous Control Freaks in favour of 16 knobs. And it manages to be cheaper than the fader versions...
Akai's MPC sampling workstations have been a studio fixture for nearly 15 years, and the MPC4000 is the most powerful one yet. But the world of sampling has changed dramatically since the MPC2000XL was released. Can an MPC still cut it in the 21st century?
For applications where space or portability are at a premium, it is hard to beat this compact, two-octave MIDI master keyboard, which also incorporates eight assignable real-time MIDI controllers.
If you're tired of mixing on-screen using just your mouse and keyboard, then it's worth considering a hardware MIDI controller. But with so many different models available, how do you choose the one that's right for you?
The SPD6 MIDI percussion pad features 113 internal drum sounds, with six rubber playing pads and can run from an optional power adaptor or from batteries.
Miditech's new 49-key take on the simple MIDI keyboard controller adds a panel of assignable knobs for even more control potential - and all for well under £200.
A little money spent on a hardware control surface for your PC can yield a dramatic improvement in ergonomics and ease of use. Martin Walker explores the options.
The Soundbeam's ability to translate physical movements into MIDI messages, in a sophisticated and customisable way, makes it unique among alternative MIDI control systems.
The new C16 offers 16 MIDI-assignable control faders for the thoroughly reasonable price of £150. Derek Johnson and Debbie Poyser love that feeling of control...
One drawback of soundcards and soft synths is their lack of physical controllers, but Doepfer aim to bridge the gap with their diminutive PocketC. Paul Ward tries his hand...
MIDI can be a creative tool as well as a functional one, and Kurzweil's new stand-alone ribbon controller is designed to help you exploit its artistic possibilites. Derek Johnson & Debbie Poyser open up a new world of expression.
Guitarists who use sequencers have been waiting many years for the perfect MIDI guitar. John Walden tries the Parker MIDIFly to see if the wait is over.
Want to get serious about your music? A quality master controller keyboard is a good place to start. Paul Ward looks at two machines that offer a little more than most.
There are now quite a few MIDI Control surfaces on the market, yet the knob-laden Drehbank, which offers interesting possibilities for interconnection between vintage CV synths and modern MIDI gear, is sure to excite much interest. Paul Nagle turns on and tunes in.