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Cubase Distroyer Plug-in

Steinberg Cubase Pro Tips & Tricks
By John Walden

We dish the dirt on Distroyer, the new distortion plug-in introduced in Cubase 10.

Cubase boasts several impressive distortion tools and whether you want saturation, overdrive, fuzz or lo-fi effects, there's something for the job. But Cubase 10 brought Pro and Artist users a new toy called Distroyer, so let's see (and hear — you'll find audio examples at www.soundonsound.com/cubase-distroyer-plugin-audio-examples) what it can do.

Package icon cubasedistroyer.zip

Scene Of Destruction

Distroyer's somewhat unconventional Mix control presents some interesting creative options —  but note that you'll need to use the plug-in as a send effect if you want to do true parallel processing.Distroyer's somewhat unconventional Mix control presents some interesting creative options — but note that you'll need to use the plug-in as a send effect if you want to do true parallel processing.While users of Cubase's older Distortion will instantly recognise Distroyer's heritage, Distroyer offers more controls and, like Quadrafuzz 2, makes it possible to aim the processing at a specific frequency range. Distroyer also has some design quirks, most notably in terms of the Mix control as I'll discuss below, but these also give this tool a distinct character and feel.

The first screen shows the settings required to 'zero' Distroyer's controls, so the audio sounds the same as when the plug-in is bypassed. This is a useful starting point, especially if you intend a fairly subtle effect. As explained in Cubase 10's Plug-in Reference PDF, some of the controls apply to the 'wet' signal only, and the wet/dry balance is adjusted via the Mix knob. These include the Lo/Hi Filters, which allow you to restrict the distortion effect to a specific frequency range. Incidentally, once set, if you click and hold in the blue zone that defines the frequency range, you can drag the whole range left/right to find the sweet spot. Drive adjusts the distortion character, going from a...

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Published December 2019