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DAW Software

A DAW, which stands for Digital Audio Workstation, is a software tool that enables users to capture, modify, and create audio content. It is utilised in various contexts such as music production, sound design, game audio, film and TV post-production, and podcasting.

Primary uses of a DAW

The primary purposes of contemporary Digital Audio Workstation software comprise: 

Recording: All DAWs enable users to capture audio from different sources like microphones, instruments, and MIDI controllers using an Audio Interface connected to the computer.

Editing:  DAWs enable users to cut, copy, paste, and rearrange sections of audio files. They also provide a range of tools for improving the quality of audio, including noise reduction, EQ, and compression.

Mixing: Digital Audio Workstations enable users to blend various audio tracks, modifying volumes, positioning, and adding effects to produce a unified end result.

Mastering: Digital Audio Workstations (DAWs) provide features like loudness normalisation and EQ adjustments to ensure the final audio meets industry standards.

Advantages of utilising a Digital Audio Workstation

Efficiency: DAWs enable users to efficiently record, edit, and produce audio with ease, cutting down on time and effort when compared to traditional analogue techniques.

Flexibility: DAWs offer a wide range of tools and features that allow users to customise their audio production process and achieve the desired results.

Collaboration: Numerous DAWs provide tools that enable users to work together and collaborate on projects from different locations, simplifying the process of collaborating on audio projects such as podcasts and song creation.

Portability: Digital Audio Workstations are compatible with different devices such as desktop computers (Mac/PC) , laptops and tablets, allowing users to work on audio projects conveniently from any location.

There are many popular software DAWs, some of which come built into the Operating System of your favourite computer, such as Apple GarageBand on Macs. Sound On Sound regularly covers all the top brands in its monthly DAW Masterclasses. From Steinberg Cubase and Avid Pro Tools, PreSonus Studio One and Apple Logic Pro, MOTU Digital Performer to Ableton Live, Reason Studios Reason and Cockos Reaper, you'll find how-to techniques and tips for all of these and other DAWs collected under the sections shown above.

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    Track Comping

    Digidesign (Avid) Pro Tools Tips & Techniques

    One of the major new features in Pro Tools 8 is a system for easily assembling 'comp' tracks from multiple takes. We explain how it all works.

    Techniques Apr 2009
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    Sonar: Integrating External Hardware With Your DAW

    Sonar Notes & Techniques

    Is it time to lighten the load on your CPU and put that outboard signal processing hardware to work inside your DAW? We explain how...

    Techniques Apr 2009
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    Steinberg Cubase 5

    MIDI Audio Sequencer [Windows/Mac OS]

    The first paid-for update to Cubase for two years introduces some major innovations for sequencing and composition, including integrated Melodyne-style pitch correction and editing.

    Reviews Mar 2009
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    File-format Troubleshooting In Digital Performer

    Digital Performer Notes & Techniques

    We present a DP-users guide to troubleshooting audio files and formats, and pass on tips for when the unthinkable happens...

    Techniques Mar 2009
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    Dynamic Mixing In Logic 8

    Logic Notes & Techniques

    Apple Logic 8s mixer is endlessly configurable, and knowing how to make its flexibility work for you will result in faster and easier mixing.

    Techniques Mar 2009
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    MIDI & Score Editors

    Digidesign (Avid) Pro Tools Tips & Techniques

    At the heart of Digidesign's drive to turn Pro Tools into a serious tool for music creation are the MIDI and Score editors in Pro Tools 8. We explain how to get the best from these new heavyweights.

    Techniques Mar 2009
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    Reason: Parallel Compression

    Reason Notes & Techniques

    If you want the impact of heavily compressed drums but dont want to sacrifice your dynamics, parallel compression is the way to go. This month we explore the best ways to achieve this effect in Reason.

    Techniques Mar 2009
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    Using REX Files in Sonar 8

    Sonar Notes & Techniques

    Sonar has more facilities than the average DAW for exploiting REX files to their best advantage. We guide you through where to find those facilities and how to put them to use.

    Techniques Mar 2009
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    Cubase: How To Create Drum Maps

    Steinberg Cubase Tips & Techniques

    Many Cubase users also own high-quality drum virtual instruments and sample libraries that aren't mapped to the GM standard. Fortunately, you can create your own dedicated drum maps.

    Techniques Feb 2009
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    Cubase 4 Example Drum Maps | Media

    Download DRM Files

    Here are the files that accompany SOS February 2009's Cubase 4 workshop on Drum Maps.

    Techniques Feb 2009
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    Guitar Recording Methods In Digital Performer

    Digital Performer Notes & Techniques

    Achieving exactly the recorded guitar tone youre after is easier than its ever been, with the facilities on offer in a DAW package such as Digital Performer...

    Techniques Feb 2009
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    Ableton Live: Real-time Clip Modulation

    Ableton Live Notes & Techniques

    We return to the subject of Clip Envelopes, and discover how its possible to work around a Live limitation and record MIDI controller data into Clips in real time.

    Techniques Feb 2009
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    Vocal Production In Logic Pro: Part 2

    Logic Notes & Techniques

    Your toolkit for producing polished, contemporary-sounding vocals should include appropriate EQ techniques and subtle ambience processing. Enter the workshop...

    Techniques Feb 2009
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    Digidesign Pro Tools 8: Part 2

    Digital Audio Workstation Software [Mac/PC]

    As well as the new user interface, MIDI and score editors described in Part 1 of our review, Pro Tools 8 offers an impressive collection of instruments and plug-ins, new ways of working with Playlists, and even the option of surround mixing in LE.

    Reviews Feb 2009
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    Cakewalk Sonar 8

    MIDI Audio Sequencer For Windows

    As well as creating some excellent new plug-ins and making operational improvements, Cakewalk have been working hard to make Sonar 8 the most CPU-efficient version yet.

    Reviews Feb 2009
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    Timing Correction

    Steinberg Cubase Tips & Techniques

    With Cubase 4.1, Steinberg overhauled the Sample Editor, creating a very powerful new tool for real-time pitch and time manipulation.

    Techniques Jan 2009
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    Digital Performer 6: More New Features

    Digital Performer Notes & Techniques

    Version 6 of DP comes with improved hosting of Audio Unit plug-ins — but what does that mean for the MAS format? We consider the issues, and bring you a guide to DP's new bundled convolution reverb, ProVerb.

    Techniques Jan 2009
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    Vocal Production In Logic Pro: Part 1

    Logic Notes & Techniques

    Dynamics control without compression, tuning for dummies, and vocoding for fun and profit... There's all this and more in part one of our complete vocal production masterclass.

    Techniques Jan 2009
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    Digidesign Pro Tools 8

    Digital Audio Workstation Software For Mac & PC: Part 1

    Eight is considered a lucky number in Chinese culture. Will this eighth version of Pro Tools bring prosperity to Digidesign, as they try to establish their world-leading recording and mixing application as a serious contender in the music-creation market?

    Reviews Jan 2009
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    Q. Why won't my Logic EVOC vocoder plug-in work?

    I'm at a loss. I cannot get the EVOC PS vocoder to work in Logic Pro 7 on a Power Mac G5 with Mac OSX 10.4.11 — or with...

    Sound Advice Jan 2009
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    Cockos Reaper 2.4

    MIDI Audio Sequencer For Windows

    Since we first reviewed Cockos' shareware Reaper multitrack recording package, it has undergone hundreds of improvements — but the bargain asking price has barely changed.

    Reviews Jan 2009

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