Apple

The Compressor plug-in got a new interface in Logic Pro’s 10.1 update, and there’s more to it than meets the eye. Listen to the audio files.

We look at how to combine your hardware and the software-processing within Logic for mastering purposes.

With the new single-processor, dual-core Power Macs shipping, we continue to investigate the impact of PCI Express on the Mac audio and music world.

With the rumour mills already grinding away in preparation for Macworld 2006 show, we make a brief survey of 2005, as well as taking a look at using Apple's DVD Studio Pro application to distribute surround mixes.

More tips on mastering your tracks this month, specifically for those musicians who find themselves limited to using Logic's own bundled plug-ins.

Some users of Steinberg's Cubase complain that Logic has no specialised drum editor. Little do they know that Logic lets you build your own.

If 2003 was Apple's 'year of the notebook', 2006 is set to be the 'year of Intel', with the prospect that every Mac computer in the company's range will use an Intel processor by the end of it.

Explore Alchemy’s oscillators, envelopes, modulation mapping and effects to create a classic house organ patch in Logic Pro X.

Although the new version of Logic is billed just as a Universal Binary crossgrade, it does more than simply allow the sequencer to run on the new Intel-based Macs. Read on...

With another major transition occurring in the Mac world this year, it's time to consider the real ramifications of moving from Power PC to Intel-based Macs for musicians and audio engineers.