

Paul White studio-tests KRK's latest active monitoring package, designed to provide compact, reference-standard monitoring.
Monitor speakers affect nearly all the descisions we make when recording and mixing — yet most of us know very little about how they are designed, and why they sound the way they do. In the first of a new series, Phil Ward explains what goes into the design of typical passive nearfields, and the effects they can have on what we record.
Latest generation of subs boasts an extended LF extension and improved reflex port design.
The KRK Rokit 7 G4 is a front-ported, bi-amped monitor with a DSP-powered EQ section, avaliable in five–, eight– and 10-inch variants.
We conclude our two-part examination into whether the traditional distinction between studio monitors and hi-fI speakers is justified. This month, the power-handling and compression characteristics of our four test monitors come under scrutiny...