MOTU

The plug-in and inter-application software world grows ever richer for DP users, and a set of new features for the program is announced at the NAMM show mdash; including, at last, a 'beat-slicing' function.

I want to output my audio from my PC into my Soundtracs desk for processing. Using all three of my soundcards simultaneously will give me 24 balanced outs. However, these soundcards are different models from different manufacturers. Is there a workaround or do I need three identical cards?

We conclude our look at DP's Consoles, and suggests some ways of 'future-proofing' your Projects against the relentless flow of application and plug-in updates.

Three years ago, Mark Of The Unicorn were the first manufacturer to bring out a working Firewire interface. Now, they've replaced the 828 with a MkII version offering high sample-rate recording, more flexible clocking, MIDI I/O and better metering — and, what's more, they've cut the price.

A guide to DP's options for audio pitch and tempo manipulation is on the agenda for this month's instalment of Performer Notes.

We explain how to use DP effectively with Ableton's Live and offer a brief preview of MOTU's latest big update to Digital Performer, version 4.5.

MOTU's software sampler seeks to be accessible to everyone, irrespective of preferred platform, sequencer or sample format. Can Mach Five really be all things to all people?

The SOS crew head to the 14th floor of a London tower block to help a pair of readers improve their drum sound.

DP 4.5 delivers new features that promise to fundamentally change the way users work, as well as offering smaller but crucial enhancements to existing features.

The migration to OS X has caused major upheavals for both software manufacturers and musicians, but Mark Of The Unicorn's long-established Digital Performer sequencer is better than ever.