MOTU

More invaluable MOTU-related user tips, including effective mix automation and the use of grouped controls, as well as customised Mixing Board layout editing, plus loop editing and crossfading.

MOTU's good-sounding, competitively priced audio hardware has won them a lot of friends in the project-studio and professional arenas. The latest addition to their range is a 12-channel interface that offers 96kHz, 24-bit recording. Robin Bigwood tests the 1296.

SOS's resident MOTU expert Robin Bigwood looks at ways of working with audio loops in Digital Performer, and hands out tips on using Propellerhead's Rewire to interface DP with software synths.

Logic and Cubase owners have had their own dedicated SOS columns for several months — so we're now devoting space to another of the world's favourite sequencers, MOTU's Digital Performer. Long-standing DP user Robin Bigwood presents the first of this regular column.

One of the most significant features introduced in DP 10 was the Clips window, and in the 10.1 release, MOTU made it even more powerful.

Everything you need to know to get your DAW talking to your modular system via your audio interface.

The latest version of DP includes some powerful timing & tempo-manipulation tools.

We continue our exploration of DP's MasterWorks plug‑in suite.

Long a favourite amongst film and TV composers, Digital Performer now embraces loop-based production and live performance.

MOTU's debut entry-level interfaces offer professional performance at a cut-down price.