SOUND ON SOUND
The latest Fireface drivers and firmware introduce a range of room correction facilities for immersive audio setups.
Have RME made the perfect USB audio interface?
I want to record some vinyl into my DAW, could a turntable simply be plugged into any audio interface and the EQ applied after amplification?
Users of RME's ADI-2 series converters and headphone amplifiers can now control their device’s settings from a computer or iPad.
Why would you want to play around with the filtering characteristics of a D-A converter?
The Fireface 802 FS provides users with a high-end 60-channel recording solution that boasts ultra-low latency operation and the stable, reliable performance that RME are renowned for.
A total of four new converters are set to replace the original M-32 Pro Series, offering 32 analogue line-level inputs or outputs with MADI and either Dante or AVB network connectivity.
Originally developed for a German broadcaster, the Digiface AES is now available to everyone.
RME's latest Fireface offers a total of 94 inputs and 94 outputs, improved A-D and D-A converters, DC-coupled analogue outputs and enhanced digital clocking and jitter suppression thanks to the company's SteadyClock FS technology.
While mixing, I usually monitor with the control room level pot on my analogue console set between about four and five (out of 10)...
