SOUND ON SOUND
RME's latest Fireface offers a total of 94 inputs and 94 outputs, improved A-D and D-A converters, DC-coupled analogue outputs and enhanced digital clocking and jitter suppression thanks to the company's SteadyClock FS technology.
While mixing, I usually monitor with the control room level pot on my analogue console set between about four and five (out of 10)...
The latest addition to RME's Digiface line-up features 14 inputs and 16 outputs, offers full standalone operation, and provides flexible playback and monitoring facilities courtesy of TotalMix FX.
This latest version of RME's award-winning ADI-2 Series A-D/ D-A converter boasts up to 768kHz operation, and is equipped with powerful dual headphone amplifiers capable of driving balanced headphones.
RME's latest Digiface interface is equipped with a RAVENNA module developed by DirectOut Technologies, offering 128 channels of audio over a single USB connection.
The new 12Mic-D from RME adds Dante connectivity to their 12Mic audio interface.
The UCX II packs 25 years’ interface design experience into half a rack space.
Project Hammerfall is an unusual name for a soundcard — but then RME's new card is somewhat out of the ordinary. Martin Walker enters a world of sample-accurate sync and minimal latency.
RME’s PCIe audio interface card gets a major overhaul.
