RME

RME's latest PCI soundcard is their first to support 192kHz sample rates, and offers a different balance of features compared with their existing Hammerfall cards.

This cost-effective four-channel microphone preamp with flexible powering options is well-suited to location recording.

RME have ploughed all of their considerable interface-making know-how into the Fireface UFX+, and the results are impressive.

Can I use the headphone output (Output 9-10) on an RME Fireface 800 audio interface to feed a click track to an IEM (In-ear Monitor) transmitter for a drummer?

RME's Fireface 800 brings together all of the company's expertise in developing audio hardware for computers, mic preamps and converters into one highly desirable unit. But can you really fit so much functionality into one interface without cutting corners?

Until now, MADI interfacing has been restricted to high-end digital desks, but RME's affordable hardware brings it to the project studio market. If you need a lot of inputs or outputs within an ASIO environment, their soundcard and 64-channel MADI-to-ADAT converter could be the perfect choice.

Two new half-rack boxes offer considerable operational flexibility and pristine sound in both the analogue and digital domains.

My outboard equalisers have no level or peak indicator, what would be the correct way to output the signal from my DAW (Logic) via an RME Fireface 800 audio interface?

From simple beginnings as an offshoot of an electronics project, RME have established themselves as well-respected soundcard and recording interface manufacturers whose products usually offer that bit more than those of their competitors. We talk to their head of development about their recent innovations.

RME’s successor to their popular Babyface audio and MIDI interface is finally available. Does it live up to the company’s usual high standards?