
RME Babyface Pro FS
RME's distinguished do-it-all desktop interface just got even better.
RME's distinguished do-it-all desktop interface just got even better.
Audinate's Dante AoIP (audio over IP) format is fast becoming the de facto standard for large-scale multichannel...
Though aimed squarely at the serious hi-fi market, this class-leading converter has plenty to offer in the studio.
RME's DIGI range of soundcards offers comprehensive cross-platform support, high audio quality and lots of extras, such as digital format conversion.
The Musikmesse gave the world a first chance to see two new Digiface interfaces from RME, supporting the two...
The ADI96 Pro is a 96kHz-capable analogue-to-digital converter featuring both mic and line inputs, as well as a whole host of onboard DSP functions. We check it out...
RME Audio presents the ADI-2 DAC, a two-channel high-end digital/analogue converter in a 9.5"/1HE housing, targeted at both studio professionals and audiophiles.
RME have added MIDI I/O and extensive DSP facilities to their well-regarded Hammerfall digital soundcard. Will the new Hammerfall DSP keep its place as a benchmark for audio interface design?
German manufacturer RME maintain their high reputation for quality A-D/D-A interfacing with this eight-channel device, which may be run at 24-bit, 96kHz operation if desired.
This modest-looking box is among the best-performing two-way converters available, and boasts a huge array of thoughtful features.