
Q. What cable do I need to connect an RME ADI-4DD to a TC Electronic Reverb 6000?
I'm trying to get an old TC Reverb 6000 MkI connected digitally to my new UAD‑Apollo x8 interface to give me four stereo reverb engines...

I'm trying to get an old TC Reverb 6000 MkI connected digitally to my new UAD‑Apollo x8 interface to give me four stereo reverb engines...

RME's HDSPe AIO Pro PCI Express Sound Card is a very impressively specified 192kHz audio card offering 'reference-class' conversion, a powerful new headphone amplifier with relay muting during computer startup and SteadyClock FS.

RME's distinguished do-it-all desktop interface just got even better.

Audinate's Dante AoIP (audio over IP) format is fast becoming the de facto standard for large-scale multichannel...

Though aimed squarely at the serious hi-fi market, this class-leading converter has plenty to offer in the studio.

RME's DIGI range of soundcards offers comprehensive cross-platform support, high audio quality and lots of extras, such as digital format conversion.

The Musikmesse gave the world a first chance to see two new Digiface interfaces from RME, supporting the two...

The ADI96 Pro is a 96kHz-capable analogue-to-digital converter featuring both mic and line inputs, as well as a whole host of onboard DSP functions. We check it out...

RME Audio presents the ADI-2 DAC, a two-channel high-end digital/analogue converter in a 9.5"/1HE housing, targeted at both studio professionals and audiophiles.

RME have added MIDI I/O and extensive DSP facilities to their well-regarded Hammerfall digital soundcard. Will the new Hammerfall DSP keep its place as a benchmark for audio interface design?