SOUND ON SOUND
Paul White tests Sony's diminutive powered monitor designed for desktop music and multimedia work. Can such a small box deliver the goods, and is the performance worth the price?
TC Works transfer more of their expertise to DirectX PC software with a set of interfaces that let you squash, tone up, and space out your audio with a mouse. Martin Walker gets clicking.
Boundary Effect microphones have been around for some time now, and the standard PZMs (Pressure Zone Microphones) use piezo...
Paul White finds out whether Tannoy's new Reveals have anything to hide...
Arboretum's latest Hyperprism suite of effects and processors offer no less than 29 modules, at an average price of less than £10 each. Janet Harniman-Cook gets plugged in.
Dave Lockwood tests this hi-tech guitar system which seeks to replicate the sound of many of the most coveted vintage and modern amplifiers on the market, with full digital multi-effects thrown in, and all in a convenient, portable, combo format.
Multichannel PCI-card based digital audio recording systems are increasingly common these days, but not all of them focus on the quality of the onboard converters to the extent they should. Dave Shapton checks out a new card from far-sighted digital problem-solvers Aardvark that promises not to throw out the baby with the bathwater.
Keyfax's Twiddly Bits soundware has a very respectable track record in the market of producing MIDI files for general...
Line 6 announce a software upgrade for their physical modelling guitar amplifier. Paul White plugs in, turns on and checks out the reborn AX2.
The new SP808 has little in common with its namesake, the TR808; one was an analogue rhythm unit, the other is a feature-packed sampler, multitrack digital audio recorder, synth and remix tool. Clearly, Roland are hoping that some of the 'hi-tech classic' status of the TR will pass to the new SP.
The AD8000 is a high performance 8-channel, 24-bit A-D converter which can cope with an array of different digital audio formats, either in its basic form or with the addition of one of several optional cards.
Paul White studio-tests Sennheiser's new range of affordable vocal microphones to see if they really can give the established models a run for their money.
If you've £250 to spare and a reverb-shaped hole in your studio, Lexicon would like you to fill it with their latest budget processor, which offers 20-bit converters, a digital output as standard, and the famous Lexicon Ambience effect.
Paul White meets the junior member of Alesis' family of Type II 20-bit ADAT recorders.
Long awaited and much anticipated, Novation's digitally-modelled analogue synth module is the company's most ambitionus offering yet.
The streamlined '90s exterior of Emu's Audity 2000 claims to hide a virtual modular hybrid, harking back to the company's own lost '70s analogue megasynth.
We test ART's two compact tube processors to see if they sound bigger than they look.
Gordon Reid is bitten by the memory of a brilliant, but deeply flawed trio of Italian synthesizer designs that could have been the last word in affordable analogue.
Combining the famous Lexicon reverb sound with the latest hard disk recording technology, the Lexicon Studio system should win many admirers. Martin Walker falls in love.