SOUND ON SOUND
This DJ mixer boasts powerful effects and BPM-driven MIDI control software. Wearing the Trousers, Paul Farrer finds out more...
If you're after sonic strangeness, ring modulation is a good place to start. Paul White finds out whether the ColOSCIL sounds as big as its name.
These days there are several ways of going about recording your own CDs. Paul White gives this new Marantz professional stand-alone model a spin and discovers a few advantages over using a computer and CD-ROM drive.
If you thought home keyboards were all about cheesy organ presets and bossanova backbeats the chances are you are just like Paul Farrer, but as he takes the wraps of Yamaha's new baby and rotates his baseball cap by 180 degrees he is astonished to find that he was completely and utterly wrong...
Paul White plugs and plays with the latest products from MIDI widgeteers Philip Rees, a range of non-nonsense MIDI mergers.
If you want more of everything digital, why not try 24-bit recording at a 96kHz sample rate? Martin Walker is floored as his dynamics increase in leaps and bounds.
Paul White switches on to a box which provides a dash of extra source for the smaller mixing desk.
If you've ever read a hi‑fi magazine, you'll have seen advertisements for cables that cost more than the gear they are...
Paul White finds the best of both valve and solid state worlds in TL Audio's latest compressor.
DI boxes are essential pieces of studio kit, but they don't all do the same job. For DI'ing an electric guitar or bass that...
Janet Harniman-Cook goes great guns with the latest version of Twelve Tone's popular MIDI + Audio recording software for PC owners.
It's certainly borrowed (for the purposes of this review), and it's unquestionably blue, but is it old or new? Synth Guidance Counsellor and long‑time K2000 owner Paul Ward checks out Kurzweil's VP makeover of this legendary workstation.
The ADAT format is more often the choice of personal studios than professional facilities — but the new M20 is set to change all that. Hugh Robjohns takes the 20-bit ADAT for a spin.
Korg have upgraded their well-established Trinity range of sample-based workstation synths with a new board offering the sonic capabilities of a Z1 polysynth.
Though they're usually not specifically designed for recording, miniature mics can be real problem solvers in certain situations.
Simon Lowther introduces the clan of classic American analogue synths, the Oberheim OBs.
As studio systems become more complex, analogue signal degradation caused by poor signal connections becomes a serious problem...
Paul White tests Sony's diminutive powered monitor designed for desktop music and multimedia work. Can such a small box deliver the goods, and is the performance worth the price?
TC Works transfer more of their expertise to DirectX PC software with a set of interfaces that let you squash, tone up, and space out your audio with a mouse. Martin Walker gets clicking.