
ART Tube MP
Until now, musicians wanting to add that distinctive valve sound to their recordings have had to beg, borrow, or steal to do it. At a mere £149, ART's new tube mic preamp looks set to change all that. Paul White checks it out.

Until now, musicians wanting to add that distinctive valve sound to their recordings have had to beg, borrow, or steal to do it. At a mere £149, ART's new tube mic preamp looks set to change all that. Paul White checks it out.

3G's new 4-buss Mynah Plus is not just a mixer — it also features built-in single-ended noise reduction. But does this lift it above the competition? Paul White finds out.

Out of the wilds of Germany comes an interesting attempt at addressing the key aspects of hard disk recording on the PC for the DAT-owning musician. Brian Heywood reports.

Twiddly Bits are short MIDI files, available in either PC/Atari or Mac format, and contain musical extracts, drum patterns, drum fills and percussion lines which can be cut and pasted into your own compositions.

With Roland and Korg already in the soundcard market, this Yamaha offering has been a long time comming. Was it worth the wait? Panicos Georghiades reports.

Whether you use a stand-alone sampler, or a 'PC plus soundcard' sampling setup, KCCM's ReSample Pro is designed to releve you of all those irritating sample format incompatibility problems. Panicos Georghiades gets converted...

The author of this book, Allen Wright, obviously takes his tube audio very seriously indeed, but don't expect this work to...

It's cheap, it's cheerful and it's easy to use. Paul White rediscovers the joys of simplicity with Zoom's most affordable guitar multi-effects unit ever.

Paul White tries out a deceptively small mastering recorder that's ideal for location recording and sample gathering.

After a lengthy wait, Behringer's 48/24 dual input recording mixer is finally here. We take the wraps off this seductively priced 8-bus console.

Two of Yamaha's most recent products, the MU50 synth module and the CBX-K1 mini keyboard, are designed to compliment each other as the nucleus of a budget, GM-compatible music-making setup.. Paul Nagle evaluates the pair, and considers the potentially confusing role of Yamaha's XG MIDI format...

The Sessionmaster JD10 recording preamp provides the perfect excuse for guitar practice at the magazine's expense!

Paul White subjects his studio to yet more upheaval as the monitors are changed yet again, all in the cause of research.

Paul White puts his exotic mic collection back in the cupboard to try out Samson's budget dynamic vocal model.

Paul White tries his hand at tonal transformation using Ashly Audio's latest parametric equaliser.

The RY8 isn't just the latest in Yamaha's much-respected RY series of drum machines — the diminutive casing houses everything a mobile guitarist could need as a portable backing band, even a guitar synth!

Long-term K2000 user Paul Ward gets to grips with the latest in Kurzweil's line of groundbreaking synths for just long enough to produce this hands-on preview...

Vocoders aren't just about tiny robot voices from awful '70s records — some could generate lush choir sounds and opulent strings too.

Fletcher ElectroAcoustics' Voice Channel is a modern reincarnation of a vintage classic compressor, repackaged with a high-spec mic amp and an enhancer.

Kenton Electronics' new one-channel MIDI-CV converter is slightly more expensive than others of its kind — but there's a reason!