Meris’s 500-series Ottobit offered an interesting and extremely powerful, yet controllable, means of unleashing the destructive effects of digital distortion — and it produced superb-sounding results, as Hannes Bieger discovered in his SOS September 2015 review. So it was almost inevitable that the same algorithms would soon find themselves inside one of Meris’s trademark six-knob, four-switch guitar pedals — but this is more than...
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