Samplers / Sampling

Norm Leete waxes lyrical about the mega-synth that introduced sampling to the world back in 1980 and went on to appear on innumerable hit singles and albums.

Philip Meehan fondly remembers his first love — a keyboard with the voice of an angel, the mind of a genius, and the body of a heavyweight boxer in a big black coat.

Paul White and Paul Joyner explain how to import samples directly to your Mac from an audio CD with Logic Audio — a technique which can be adapted for use with most popular MIDI + Audio sequencers.

Akai samplers, in their familiar off‑white rackmount cases, have become fixtures in studios all over the world. Their latest models may use the same colour scheme, but they offer an entirely new user interface and a host of powerful new features.

Derek Johnson & Debbie Poyser check out a product which offers up to four minutes of sample time, 22 different effects, audio processing and resampling facilities — for £199. If you'd been reading this only a few years ago , you'd have assumed that some digits had been missed off the price...

Even the more basic sound-manipulation tools offered by most samplers can lead a safe sample into a world of weirdness. Nicholas Rowland reverses, stretches, bends and loops, all in the interests of sampling science...

These days, samplers are the electronic musician's bread and butter — but they need not be used in commonplace ways. In the first part of a short series, Nicholas Rowland looks at ways to spice up your tracks with samples from unusual sources.

The ASRX, Ensoniq's entry into the world of all-in-one sampling and sequencing workstations, has just received a major upgrade and a fresh lick of paint. Chris Carter finds out whether the improvements justify its new 'Pro' label.

When Yamaha Launched the A3000 a year ago their approach won quite a few fans, and now they're demonstrating their renewed commitment to sampling with a comprehensive upgrade. Chris Carter's movin' on up...

The new SP808 has little in common with its namesake, the TR808; one was an analogue rhythm unit, the other is a feature-packed sampler, multitrack digital audio recorder, synth and remix tool. Clearly, Roland are hoping that some of the 'hi-tech classic' status of the TR will pass to the new SP.

The high quality converters and resonant filter imbue the 16-bit Emax II with a musicality and sonic character second to none.

Emu's latest sampler release is a new budget module to replace the ESI32. But with recent price drops from Akai and Yamaha's return to the sampling fold, have the company done enough to fend off the competition?

Boss's popular 'Doctor' range of inexpensive and useful studio gear is now over 15 years old, but remains very much alive, and the Dr Sample SP202 is the latest newcomer, offering quick and easy sampling for DJs or beginners in the field. Chris Carter gives it a full physical...

Using a sampler without some sort of hard drive is just not an option these days, which means that some understanding of SCSI is necessary. Devoted Akai samplist Paul Farrer explains some of the pitfalls that can befall the unwary user of SCSI'd up samplers, and examines some of the other cross-platform issues that can complicate sampling.

Using a separate sampler, sequencer, synth and drum machine? With the new Ensoniq ASRX you could take just one box into the studio. Chris Carter just samples and goes...

The release of the S20 means that £500 now buys you into the prestigious Akai name — and gets you a supremely easy to use sampler which will perform both on stage and in the studio. Chris Carter goes completely loopy...

Given the wide range of studio and synthesis equipment Yamaha make, it's perhaps odd that there's been no serious sampler in their catlogue for almost 10 years. Now, after putting a toe in the water with the well-received SU10 mini-sampler, they're taking the pro sampling plunge once more with the A3000. Chris Carter finds that still waters run deep...

A new expandability has come to Emu's professional range of samplers. Paul Wiffen lifts the bonnet of the top-of-the-range model and finds an e6400 lurking inside.

Akai's S1100 hard-disk recording option caused quite a buzz on its release, and even now makes this well-specified sampler even more versatile. Chris Carter passes on some hard-won tips for making the best of S1100 HD recording.

Darius Pocha suggests that one of Roland's 'ones that got away' is an excellent second-hand buy: the S330 sampler. Additional material by Derek Johnson.

Akai's new CD3000XL features the 32-voice polyphony, expansion options, DSP functions and other goodies of the S3000XL, but adds a built-in CD-ROM drive for good measure. Paul Ward takes it for a spin.