
Making Arrangements: Part 1
Great songs are 1% inspiration and 99% perspiration. Big George mops his brow and takes it to the bridge...
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Great songs are 1% inspiration and 99% perspiration. Big George mops his brow and takes it to the bridge...
Four new sample collections under review: Apple Jam Pack 4: Symphony Orchestra **** • Sonic Boom Box **** • Downbeat & Leftfield **** • Platinum Essentials *****
Korg have redefined the workstation synth many times, and each time it has become harder to see how they could better their previous achievements. The Triton Extreme is a bold new colour, but does the rest of it measure up?
There are now quite a few plug-ins on the market that have the ability to split audio into hundreds or thousands of bands and treat them separately, paving the way for a variety of weird and wonderful effects. Are you brave enough to enter the frequency zone?
As recording software gets more and more complicated, French developers Intuitive Works are taking a different tack with their first product, emphasising ease of use and ergonomic design.
Live performance and spontaneity are everything for Animal Collective, so capturing the magic of their unique electronic psychedelia on CD was a huge test for engineer and producer Ben Allen.
The SOS team are confronted by a confusion of speakers this month, and opt for a cost-effective DIY approach to sorting out Tony Rigg's studio acoustics.
The release of a new album by ex-Genesis guitarist Steve Hackett is usually a cause for celebration amongst his substantial body of fans. Paul Ward talks to him about the making of his latest, Darktown, and wonders whether it might find him an even wider audience....
Recent years have seen a revival in back-to-basics recording techniques, but few engineers or producers have taken things as far as Jim Sutherland did with Edinburgh folk-pop band Aberfeldy...
The Sonar adventure continues with a new audio engine, a fresh look, new plug-ins and a surprising sampler.
Although the Ion is already well-respected for its sound quality, its synthesis architecture is also surprisingly flexible. We show you how to get the best from this little beast in your studio.
Digital hardware that models classic guitar amps has been big business in recent years, but in the software field Line 6's Amp Farm has had the market to itself. Now, however, IK's Amplitube looks set to provide some serious competition.
Manipulating the frequency spectrum is one of the most important skills in recording and mixing. We explain the different types of EQ you can use in your mix and share some tips on how to get the best from them.
Recording a rock band playing 'live' in the studio presents a unique set of challenges, but it is still possible to achieve a good result.
Paul White shines the spotlight on worrying proposed changes to the UK's live music licensing laws...
If you're after bigger-sounding tracks, read on, as we discover plug-ins that manipulate stereo information to play tricks with your mix...
The theremin is one of the oldest electric instruments around, and its distinctive sound is instantly recognisable. However, real ones are hard to find, and even harder to play. Sam Inglis tries to work out a way of cheating.
In the final part of this series, Oli Bell gives you some practical tips and tricks on looping, re-grooving and time-stretching.
The Jupiter 8 looms large in synthesizer history, and any synth bearing the name has a lot to live up to. Is the Jupiter 80 destined for the same legendary status? Find out in our world‑exclusive review...