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We take Antelope’s latest mastering–grade converter and monitor controller for a spin.

Anthology X makes many of Eventide’s signature effects available in native plug–in formats for the first time. Was it worth the wait?


Just what should you expect when engaging a professional arranger or orchestrator to work on your own production? We find out from some of the best in the business...

If the name of this new company evokes an iconic British brand, that’s perhaps appropriate — for Aston design and build all their mics in the UK!

If you crave the vintage API sound but the budget is a little tight, this might be worth a look...

If you want the vintage Neve 1073 sound but the bank balance doesn’t allow it, this might be worth checking out...


DPA have long been held in high esteem by classical recordists — and now their recording mic range has been given a major overhaul.

If you crave the vintage API sound but the budget is a little tight, this might be worth a look...

Fostex have been making planar magnetic headphones since before they were cool. How do their latest models fare?

In their conquest of the pop charts, Pentatonix’s only weapons were the human voice — and the skills of mix engineer Ed Boyer.

It’s rare to pick up a popular magazine these days without seeing photographs of people and products airbrushed to a level that’s arguably beyond perfection.

We look at how to get the most from Live’s Electric instrument.

Need a go–anywhere sound system for busking, small gigs or simply listening to music on the move? Look no further!
Audio files to accompany the article.

Americana is a loosely defined genre, but in terms of studios, it knows what it wants.

We pull a problematic live recording back from the brink.