SOUND ON SOUND
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Digital amp modelling has come a long way, but some guitarists still miss the ‘feel’ of a real amp on stage. Enter the Gemini 2.
Malenky Slovos from Italy: There are times when achieving a satisfying mix requires a lot of creative input — not to mention some extreme effects!
Following his success with the Egg 150 monitors, Andy Munro is back with a new, compact design. Can they beat the competition?
Neumann are known for producing outstanding microphones, and their new flagship monitors are no less impressive!
This month’s Notes From The Deadline is brought to you by former DJ, apprentice sound engineer and guest columnist Terry Trihard.
Thanks to new legislation, gainful employment now means just that for academies and students.
Ogre’s Tubeholic pedal overdrive contains neither tubes nor, as far as I can tell, any alcohol. It does, however, feature 440g of barking-mad cast metal as its case.
Prism Sound’s Lyra brings the quality of their Orpheus and Titan interfaces within reach of lesser mortals.
I’m working on an acoustic track and would like my vocalist to sing backing vocals in a more ‘breathy’ way. Are you able to offer some vocal coaching tips that I can ask him to try?
I have three laptops in the house, all of which produce various sparks and flashes at the mains end when plugged into the wall. Can this be ‘right’ ?
In the May 2015 Mix Rescue article, Mike Senior talks about how he bounced out a mix any number of times to compare it to his references. I understand the purpose of referencing, but what I don’t understand is why he bounced out the mix.
I’ve put a lot of effort into creating and editing a recording of a solo mandolin. Although I like the final result a lot, on reflection the tone seems too trebly and cold.
I’m an aspiring electronic musician, and am hoping to create some stuff with real shaking low-end impact, but the interaction between kick and bass still puzzles me.
As Reason has evolved from a compact synth rack into the incredibly powerful DAW it is today, its user interface has necessarily grown in size and complexity. Learn how to customise and navigate Reason’s user interface.
Engineer Richard King has brought the art of ensemble recording to new heights in both classical and folk/pop spheres.
With its familiar interface and enormous potential for expressive control, is the ROLI Seaboard the future of the keyboard?
The German manufacturer RTW has a long history in the broadcast sector dating back to 1965, mostly in the areas of specialist metering systems and equipment interfaces.
These files accompany the Sample Shop articles in the September 2015 issue.
Audio files to accompany the article.