SOUND ON SOUND
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I’m currently looking into a new music PC build and wondered which Windows operating system you’d recommend.
I have an Electro-Harmonix Big Muff effects pedal that I’d like to try out on vocals, drums and possibly some other things during tracking.
My room is not ideally treated, especially in the corners near my monitors, which have no bass traps. Would it help to use monitors with bass ports on the front.
Can I link the S/PDIF out of my Boss DR-880 to the S/PDIF input of my Focusrite Scarlett 8i6 audio interface and get good results?
Could Radial’s latest processor add a little vintage sum–thing to your mixes?
With Rupert Neve’s pedigree in transformer-based equipment design, a DI box was surely just a matter of time.
Back in 1977, Scottish company GR International, designed and manufactured a rhythm machine called the Powerhouse. Thirty-eight years later, owner of two Powerhouse machines, Dan Radclyffe, renovated his tapes and hardware and sampled all eight original cartridges to make this 64–loop library.
Zero–G have given us bangs, crashes and wallops with Impact Designer, and created a sense of speed with Whoosh Designer. To round off the collection is Rise Designer: Cinematic Build Creator.
These files accompany the Sample Shop article in the October 2015 issue of SOS.
Analogue Witchcraft is an intriguing title, but the product’s creator, Paul Rez, was perhaps trying to evoke a sense of magic and mystery.
Audio files to accompany the article.
Does today’s sample-based drum software mean we don’t need real drummers any more? We find out what a human session drummer offers that a virtual drummer can’t.
Studio One 3’s new Channel Editor opens up a host of possibilities, including creative M-S processing.
Live rooms and headphones can kill the mood for some vocalists — so why not ditch the cans and record in front of your monitors?
There are many USB microphones around today, but Lewitt’s offering has some surprising and useful extra features.
While high-quality clones of Bill Putnam’s 1176 compressor abound, stereo versions of that much-loved design are rather less common — especially at this price.
Can musicians be trusted to mix their own monitors? If the system they’re using is as intuitive as this one, the answer might be ‘yes’.
Tidy away unused instruments and effects and put your favourites within easy reach with Logic’s Plug-in Manager.
Cut the cord and make music with just your laptop and Reason.