SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Morcheeba make their weird and wonderful music in a studio in Clapham that used to belong to The Orb. To find out more about the band and their gear, Sue Sillitoe ventured south of the river to meet Paul Godfrey and the band's programmer and producer Pete Norris.
The perpetrators of recent smash hit 'Da Ya Think I'm Sexy?' might look like a leopardskin-clad disco covers band composed of several people, but in fact they're the pet electronic project of two Mancunians with their heads firmly screwed on an eye to the future of dance music.
Quasimidi are delivering on their promise to provide new goodies for owners of the 309 dance box. Derek Johnson raves a bit...
SPL claim to have come up with a completely new type of compressor. Paul White puts their assertions to the test.
It started in 88, dropped to 38, now rises to 98... no, it's not the chart performance of the new Spice Girls album, but Tascam's rather strange way of numbering the models in their respected DA series of digital multitrack recorders. Hugh Robjohns checks out the new flagship in the range.
Drum kit miking is a black art as far as many project studio owners are concerned. Yet, as Benedict Grant explains in the first of this two‑part series, there's no need to let the kit beat you...
This inventive American has graduated from aiding and abetting producer Mitchell Froom in his sonic escapades to full production duties on a variety of live and studio albums. Paul Tingen talks to a devotee of binaural recording who's more than just a dummy head.
Pioneered by Fostex, the concept of the 'personal' digital multitrack — a stand-alone digital recorder with a simple, cassette multitracker-like interface — has been around for two years now. But the new D160 is the first of the bunch to offer 16-track capabilities.
For serious sonic sculpting, you can't beat a parametric EQ, and this new contender from Seattle-based Symetrix is priced within reach of many project studio owners.
Paul White goes into overdrive with TLA's latest valve processor — the 02031.
Paul White finds out whether a blend of valves and photocells really can deliver the ultimate vintage compressor sound.
This month, Martin Walker has some chips and a little sauce, as well as investigating some mysteriously disappearing features in Cubase — Cakewalk Home Studio; Cubase VST.
This month, Derek Johnson checks out a couple of new software versions, and finds that Electronic Cow's Sound Chip Synth is moovin' on up...
In the first part of this new series, David Mellor gives his personal slant on creating a studio that will stay with you as your recording skills and budget improve.
Taking a compact DAT machine out and about can gain you some unique recordings, but can also present you with some unique problems.
Storing large PC-based hard disk recording projects can become tricky, especially when you need to make regular backups too. Martin Walker looks at the options available.
There's no gain without pain. Martin Russ experiences the joys and agonies of a new computer — the Apple Power Mac 7300.
At the January NAMM show in 1987, Roland launched their D50, which mixed synthesis and sampled sounds in one package, a compbination which has remained popular to the current day. Paul Wiffen examines how S&S evolved into the most widespread form of sound generation on the market.
In the last year SOS has reviewed no less than 10 examples of the new breed of so-called 'Voice Channels', promising a one-box solution to high quality vocal recordings. Derek Johnson & Debbie Poyser present a brief guide to the models we've looked at, to help you decide which you should go for.