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Fostex DE10
Does this preset-based dual-channel multi-effects processor produce a performance that belies its entry-level price?
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Does this preset-based dual-channel multi-effects processor produce a performance that belies its entry-level price?
Fostex's new digital mixer sports ADAT I/O and a feature set which belies its price. Derek Johnson & Debbie Poyser trip the lightpipe fantastic.
Derek Johnson & Debbie Poyser test Fostex's new eight-tracker, which once again lowers the entry-level price for the musician aspiring to digital.
Derek Johnson & Debbie Poyser test Fostex's new hard disk 24-track. The D2424 may not have quite the feature set of its two main rivals, but the facilities it does have may be very well targeted towards the intended users.
Paul White auditions some new active monitors from Fostex that offer a number of technical innovations.
Fostex have broken a price-barrier in this section of the digital multitracker market, providing 16-track recording, editing and mixing within their new, compact VF16. Derek Johnson and Debbie Poyser discover whether it's too good to be true...
The budget‑priced Fostex DE1 is a half‑rack, 20‑bit effects processor, with the ability to act as two...
Paul White discovers a sensibly priced CD recorder capable of handling any type of recording sessions without throwing a tantrum.
We get our hands on Fostex's latest affordable digital recorder — and the company's first ever stand‑alone digital mixer.
Fostex pioneered the project-studio multitrack with reel-to-reels like the R8 and, more recently have also been quick of the mark in introducing digital recorders. Derek Johnson reviews the latest addition to the latter range.
Fostex's new portable digital recorder uses virtual tracks to expand its potential and proves that 24 into eight really does go. Bob Dormon does the maths...
Though the FD4 doesn't have a built-in recording drive, it records to a choise of popular types, costs less than £400, and has been designed to be almost as easy to use as a cassette multitracker. David Mellor goes back to basics...
Paul White tries a simple but useful digital switching system that can be used with s/PDIF or ADAT-format signals.
Why are CD recorders like buses? Paul White investigates.
Pioneered by Fostex, the concept of the 'personal' digital multitrack — a stand-alone digital recorder with a simple, cassette multitracker-like interface — has been around for two years now. But the new D160 is the first of the bunch to offer 16-track capabilities.
Is the X14 cheap and cheerful, or just cheap? Derek Johnson finds out.
Fostex take their stand-alone 8-track hard disk concept onward and upward, turning the well-received D80 into the D90 with some useful and welcome enhancements. Paul White is d-lighted...
The Fostex DMT8 was the first affordable 8-track digital recorder with a simple cassette multitracker-style user interface. Now, there's the new DMT8VL, which costs less and has fewer features than its forerunner, but also boasts a couple of improvements to the original design. Paul White is determined to remain unconfused.
The battle for control of the affordable digital multitracker market has intensified in 1996. Paul White puts Fostex's latest weapon, the rackmounting D80, to the test.
Paul White visits the future of home recording, where tape heads never need cleaning, cassettes never jam and mistakes can be undone at the touch of a button.