Mix Rescue: 28 Boulevard | Media
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Our engineer figures out how to apply just the right amount of polish to an indie-rock track with a DIY aesthetic.
This month we analyse hits from Storm Queen, The Reflektors and Lorde plus our classic mix 'Roxanne' by the The Police.
Following on from last month’s article about drum miking, here we’ll discuss the various ways you can mix and process your drum-kit mics.
The Mix Review in Sound On Sound This month we analyse hits from Biffy Clyro, Armin Van Buuren and Duke Dumont, and take a look back at a classic mix, Sinead O’Connor’s version of “Nothing Compares 2 U”, from 1990.
Two massive hit albums in a year was a pretty good return on 20 days' work for Justin Timberlake, producer Timbaland — and engineer Chris Godbey.
We asked some of the world's leading engineers how they approach one of the most common yet complex instruments on stage: the drum kit.
Tracks that I mix in my home studio tend to sound really bad in my car, but when I correct the mixes so they sound good in the car, they sound awful over my monitors — so what's going wrong?
Electronic drum kits are not silent, so what can you do to tame their thumps and rumbles?
Producer Phil Ramone was legendary for getting great vocal sounds. Here's how he did it — and how you can do the same.