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Tascam DA302

Dual DAT Deck

Derek Johnson finds Tascam's dual DAT deck, the first ever, is at least twice the fun...

Published February 1998
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Waves Maxxbass

Bass Enhancement Plug-in

Paul White takes it to the max with Waves' latest plug-in.

Published February 1998
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Xpression! DPM1

Proactive Powered Monitors

Paul White lends a critical ear to Xpression's first ever powered monitor, to test the company's claim of accuracy at a budget price.

Published February 1998
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AS ONE (KIRK DEGIORGIO): Adidas Ads, Folklore & Blue Note Jazz

Interview | Artist

Kirk Degeorgio, aka As One: head of the cult techno label Op ART, producer of the recent Planetary Folklore LP on Mowax, co-composer of the notorious Adidas 'Prince Naseem in America' ad, and proud owner of a huge collection of Blue Note jazz LPs. Phew! Christopher Holder discovers that Ipswich is nearer the centre of the universe than he thought.

Published February 1998
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DAVE ROSSUM: Inside Creative Labs

Interview | Manufacturer

Creative Labs' Chief Scientist, Dave Rossum, looks into his crystal ball to predict the future of soundcards. Paul White listens in.

Published February 1998
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DAVID BYRNE: Talking Heads

Interview | Artist

David Byrne must surely be one of the most individual and iconoclastic musicians of the late 20th century and, six years after leaving Talking Heads, he's still fusing different musical styles and forging new musical alliances. Sue Sillitoe does at least some of the talking...

Published February 1998
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Paul Nagle: Northern Exposure

Electronic Musician

Writer and electronic musician Paul Nagle successfully combines a day job with live performance and regular CD releases. Paul White zooms up the M6 and comes in for a landing at his well-stocked studio.

Published February 1998
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Capacitor Microphones Explained

Their Advantages For Recording

Paul White looks at the workings of capacitor mics and discusses their advantages for studio recording.

Published February 1998
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Making Arrangements: Part 3

A Rough Guide To Song Construction & Arrangement

This month, some of the people who actually get their hands dirty with arranging — often for the household names in popular music — pass on their thoughts, hints and tips.

Published February 1998
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PC Soundcard Buyer's Guide: Part 1

Stereo Cards

If you're thinking of buying a PC soundcard specifically for HD recording, you'll find the market awash with models old and new. Martin Walker provides an overview of what's currently available.

Published February 1998
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Practical Studio Soundproofing: Part 1

Tips & Techniques

Waking up the neighbours with the latest turbo folk masterpiece is a major concern for many project studio owners. Paul White explains that monitoring with headphones and moving house are not the only solutions...

Published February 1998
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Synth School: Part 6

Building On PCM — The Next Generations

The ball of S&S synthesis had been thrown, and most of the big names in synthesis caught it and ran with it, scoring some notable goals in the process. Paul Wiffen continues his chronicle of modern synthesis with a look at the state of play from the late '80s to the present day.

Published February 1998
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Where To Use Processors & Why: Part 5

Delay & Echo

Delay, originally called echo, is one of the oldest artificial effects, yet it can still be one of the most impressive — if used with care. Paul White explains the potential problems and how to avoid them.

Published February 1998
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Windows 98

PC Notes

Just when most of us have finally optimised Windows 95 for hard disk recording, Microsoft release the Beta version of Windows 98. Martin Walker sticks his head in the sand.

Published February 1998
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CreamWare T-DAT 16

Multitrack Recording System

This tasty new system finds simultaneous 16-track recording a piece of cake, and throws CD burning and a host of other features into the pot too. Janet Harniman-Cook pulls up a chair and tucks in...

Published February 1998
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Digidesign Pro Tools 24

Digital Recording & Editing Environment

Pro Tools has made a leap to 24-bit, but does the increased theoretical quality really translate to a better sound, and it is worth the extra money? Mike Collins finds out.

Published February 1998

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