SOUND ON SOUND
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The studio should be a place of calm, but it’s hard to relax when your financial security and self‑worth are constantly on the line.
This boutique compressor sounds every bit as classy and characterful as it looks.
Despite being over 30 years old, ADAT Lightpipe remains the number one way to add more inputs and outputs to your DAW.
FabFilter go back to their roots with a brand‑new version of their Twin soft synth.
Fracture Sounds serve up a trio of intimate piano sample libraries: Woodchester Piano, Midnight Grand and Glacier Keys.
Grammy-winning Samuel Dixon picks his favourite sound from the records he’s made, focusing on Australian singer‑songwriter Meg Washington’s track ‘Switches’.
High‑end outboard is an essential part of Prash Mistry’s mixing and mastering setup — as heard on Kali Uchis’ hit album Red Moon In Venus.
There’s more to this vintage vibe machine than dirt, wow and flutter!
Lauten Audio’s LA‑120 is not so much a pencil mic as an entire box of crayons!
This classy vocal mic brings studio sound quality to the stage.
Novation’s Launchpad controllers offer hands‑on control over Logic’s Live Loops.
There’s a lot to like about MiMU’s unusually gelatinous take on granular synthesis.
Simon Taylor’s latest book presents an easy‑to‑follow approach to in‑the‑box mastering aimed at the novice or nervous would‑be mastering engineer.
Croatia‑based manufacturer DryBell’s Module 4 design aims to recreate the famous Orange Squeezer compressor.
Wobbler2 adds a drum synthesizer to the Wobbler LFO module that was released in 2018.
We tend instinctively to think of audio‑rate oscillators as sound‑generating circuits and low‑frequency oscillators (...
Disrupter is an experimental, performance‑driven, 303‑style sequencer with innovative randomisation features that you can still control when needed.
Do you really need another filter plug‑in? We didn’t think so either — until we tried this one!
When should you Commit your audio, and when should you Freeze it?
What’s the best technique, or combination of methods, for refreshing the high end when pitching-down samples?