
DynaMount X2-R
Tired of running back and forth between the control room and live room? Meet your new robotic assistant...
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Tired of running back and forth between the control room and live room? Meet your new robotic assistant...
Rode’s innovative new cans bring fresh thinking to the world of headphone design.
What do you get when you cross a drum machine with a librarian and a cartographer?
The Zen Q completes Antelope Audio’s impressive trio of desktop interfaces.
Apogee introduce their own take on the DSP‑powered audio interface.
Is Apple’s Mac Studio the perfect computer for the studio?
Dreadbox are on form with an instrument that packs a lot of synth into a very small box.
Enjoy Electronics combine past and present in this intriguing quadraphonic digital delay.
Veteran software Mellotron specialists GForce have recreated the sounds of the earliest models with startling accuracy.
Heavyocity take a creative wrecking ball to the orchestra.
With its built‑in mixer and the option of battery operation, the HH Tensor‑GO offers a versatile solution for reproducing high‑quality live sound both on and off the grid.
Poo Bear, the American two‑time Grammy Award‑nominated songwriter, producer and principal collaborator of pop megastar Justin Bieber, chooses his own favourite vocal on a track from Bieber’s Changes album.
Central Cee has taken drill music to the top of the UK album charts, thanks to some very fast work from mix engineer Sean Donoghue.
Key commands can place even the most obscure Logic Pro features at your fingertips!
With its intoxicating amount of modulation options, this creative effects plug‑in could become rather addictive!
Gibson breathe new life into a fondly remembered vintage pedal marque.
One of the world’s leading engineers specialising in rock music, Mike Plotnikoff is renowned for his guitar sounds. The secret? Find the right amp and keep it simple.
Having already emulated the Echoplex tape delay, Foxgear set their sights on the Binson Echorec.
Mirror creates reversed delay/reverb effects that come before the note...
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.